11 ideas
| 12772 | Philosophy is a value- and attitude-driven enterprise [Fraassen] |
| Full Idea: Philosophy is a value- and attitude-driven enterprise; philosophy is in false consciousness when it sees itself otherwise. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: It is one thing to be permeated with values, and another to be value-driven. Truth, reason and logic are (I take it) granted a high value in philosophy, just as the offside rule is in football. I am trying to place reality in charge, not humanity. |
| 12771 | Is it likely that a successful, coherent, explanatory ontological hypothesis is true? [Fraassen] |
| Full Idea: How likely is it that a truly successful, coherent, explanatory ontological hypothesis is true? | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: Van Fraassen announces "I reject metaphysic" (p.3), so we know where he stands. Anything becomes less certain as it moves to a higher level of generality. Should we abandon generalisation? There is much illumination in metaphysics. |
| 12773 | Analytic philosophy has an exceptional arsenal of critical tools [Fraassen] |
| Full Idea: Analytical philosophy can rightly pride itself on having produced the greatest critical arsenal the world has ever known. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.6) | |
| A reaction: This is, of course, in the context of a scathing attack on the desire to use analytical methods to do speculative metaphysics. I say that if these are the best tools, then we should push forward with them to see how far we can get. |
| 12770 | We may end up with a huge theory of carefully constructed falsehoods [Fraassen] |
| Full Idea: The specter that faces us is that we may end up having explained all that is dreamt of in our philosophies by intricately crafted postulates that are false. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: This is more persuasive that Idea 12769. People who cannot bear to live with a total absence of explanation (with Keats's 'negative capability') are most in danger from this threat. |
| 12769 | Inference to best explanation contains all sorts of hidden values [Fraassen] |
| Full Idea: The very phrase 'inference to the best explanation' should wave a red flag for us. What is good, better, best? What values are slipped in here, under a common name, and where do they come from? | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: A point worth making, but overstated. If we are going to refuse to make judgements for fear that some wicked 'value' might creep in, our lives will be reduced to absurdity. |
| 12768 | We accept many scientific theories without endorsing them as true [Fraassen] |
| Full Idea: The choice among theories in science may be a choice to accept in some sense falling far short of endorsement as true. | |
| From: Bas C. van Fraassen (The Empirical Stance [2002], 1.5) | |
| A reaction: When put like this, it is hard to deny the force of Van Fraassen's reservations about science. Lots of people, including me, use scientific theories as working assumptions for life, with nothing like full confidence in their truth. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |