18 ideas
| 17713 | After 1903, Husserl avoids metaphysical commitments [Mares] |
| Full Idea: In Husserl's philosophy after 1903, he is unwilling to commit himself to any specific metaphysical views. | |
| From: Edwin D. Mares (A Priori [2011], 08.2) |
| 17715 | The truth of the axioms doesn't matter for pure mathematics, but it does for applied [Mares] |
| Full Idea: The epistemological burden of showing that the axioms are true is removed if we are only studying pure mathematics. If, however, we want to look at applied mathematics, then this burden returns. | |
| From: Edwin D. Mares (A Priori [2011], 11.4) | |
| A reaction: One of those really simple ideas that hits the spot. Nice. The most advanced applied mathematics must rest on counting and measuring. |
| 17716 | Mathematics is relations between properties we abstract from experience [Mares] |
| Full Idea: Aristotelians treat mathematical facts as relations between properties. These properties, moreover, are abstracted from our experience of things. ...This view finds a natural companion in structuralism. | |
| From: Edwin D. Mares (A Priori [2011], 11.7) | |
| A reaction: This is the view of mathematics that I personally favour. The view that we abstract 'five' from a group of five pebbles is too simplistic, but this is the right general approach. |
| 17703 | Light in straight lines is contingent a priori; stipulated as straight, because they happen to be so [Mares] |
| Full Idea: It seems natural to claim that light rays moving in straight lines is contingent but a priori. Scientists stipulate that they are the standard by which we measure straightness, but their appropriateness for this task is a contingent feature of the world. | |
| From: Edwin D. Mares (A Priori [2011], 02.9) | |
| A reaction: This resembles the metre rule in Paris. It is contingent that something is a certain way, so we make being that way a conventional truth, which can therefore be known via the convention, rather than via the contingent fact. |
| 17714 | Aristotelians dislike the idea of a priori judgements from pure reason [Mares] |
| Full Idea: Aristotelians tend to eschew talk about a special faculty of pure reason that is responsible for all of our a priori judgements. | |
| From: Edwin D. Mares (A Priori [2011], 08.9) | |
| A reaction: He is invoking Carrie Jenkins's idea that the a priori is knowledge of relations between concepts which have been derived from experience. Nice idea. We thus have an empirical a priori, integrated into the natural world. Abstraction must be involved. |
| 17705 | Empiricists say rationalists mistake imaginative powers for modal insights [Mares] |
| Full Idea: Empiricist critiques of rationalism often accuse rationalists of confusing the limits of their imaginations with real insight into what is necessarily true. | |
| From: Edwin D. Mares (A Priori [2011], 03.01) | |
| A reaction: See ideas on 'Conceivable as possible' for more on this. You shouldn't just claim to 'see' that something is true, but be willing to offer some sort of reason, truthmaker or grounding. Without that, you may be right, but you are on weak ground. |
| 17700 | The most popular view is that coherent beliefs explain one another [Mares] |
| Full Idea: In what is perhaps the most popular version of coherentism, a system of beliefs is a set of beliefs that explain one another. | |
| From: Edwin D. Mares (A Priori [2011], 01.5) | |
| A reaction: These seems too simple. My first response would be that explanations are what result from coherence sets of beliefs. I may have beliefs that explain nothing, but at least have the virtue of being coherent. |
| 17704 | Operationalism defines concepts by our ways of measuring them [Mares] |
| Full Idea: The central claim of Percy Bridgman's theory of operational definitions (1920s), is that definitions of certain scientific concepts are given by the ways that we have to measure them. For example, a straight line is 'the path of a light ray'. | |
| From: Edwin D. Mares (A Priori [2011], 02.9) | |
| A reaction: It is often observed that this captures the spirit of Special Relativity. |
| 17710 | Aristotelian justification uses concepts abstracted from experience [Mares] |
| Full Idea: Aristotelian justification is the process of reasoning using concepts that are abstracted from experience (rather than, say, concepts that are innate or those that we associate with the meanings of words). | |
| From: Edwin D. Mares (A Priori [2011], 08.1) | |
| A reaction: See Carrie Jenkins for a full theory along these lines (though she doesn't mention Aristotle). This is definitely my preferred view of concepts. |
| 17706 | The essence of a concept is either its definition or its conceptual relations? [Mares] |
| Full Idea: In the 'classical theory' a concept includes in it those concepts that define it. ...In the 'theory theory' view the content of a concept is determined by its relationship to other concepts. | |
| From: Edwin D. Mares (A Priori [2011], 03.10) | |
| A reaction: Neither of these seem to give an intrinsic account of a concept, or any account of how the whole business gets off the ground. |
| 17701 | Possible worlds semantics has a nice compositional account of modal statements [Mares] |
| Full Idea: Possible worlds semantics is appealing because it gives a compositional analysis of the truth conditions of statements about necessity and possibility. | |
| From: Edwin D. Mares (A Priori [2011], 02.2) | |
| A reaction: Not sure I get this. Is the meaning composed by the gradual addition of worlds? If not, how is meaning composed in the normal way, from component words and phrases? |
| 17702 | Unstructured propositions are sets of possible worlds; structured ones have components [Mares] |
| Full Idea: An unstructured proposition is a set of possible worlds. ....Structured propositions contain entities that correspond to various parts of the sentences or thoughts that express them. | |
| From: Edwin D. Mares (A Priori [2011], 02.3) | |
| A reaction: I am definitely in favour of structured propositions. It strikes me as so obvious as to be not worth discussion - so I am obviously missing something here. Mares says structured propositions are 'more convenient'. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |
| 17708 | Maybe space has points, but processes always need regions with a size [Mares] |
| Full Idea: One theory is that space is made up of dimensionless points, but physical processes cannot take place in regions of less than a certain size. | |
| From: Edwin D. Mares (A Priori [2011], 06.7) | |
| A reaction: Thinkers in sympathy with verificationism presumably won't like this, and may prefer Feynman's view. |