Combining Texts

All the ideas for 'Commentary on 'De Anima'', 'Croce and Collingwood' and 'Can there be Vague Objects?'

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11 ideas

7. Existence / D. Theories of Reality / 10. Vagueness / b. Vagueness of reality
Evans argues (falsely!) that a contradiction follows from treating objects as vague [Evans, by Lowe]
     Full Idea: Evans tries to derive a contradiction from the supposition that a given identity statement is of indeterminate truth-value. (As it happens, I consider that this argument is flawed)
     From: report of Gareth Evans (Can there be Vague Objects? [1978]) by E.J. Lowe - The Possibility of Metaphysics 1.3
     A reaction: A priori, I wouldn't expect to be able to settle the question of whether there are any vague objects simply by following some logical derivation. Empirical examination, and conceptual analysis (or stipulation) have to be involved.
Is it coherent that reality is vague, identities can be vague, and objects can have fuzzy boundaries? [Evans]
     Full Idea: Maybe the world is vague, and vagueness is a necessary feature of any true description of it. Also identities may lack a determinate truth value because of their vagueness. Hence it is a fact that some objects have fuzzy boundaries. But is this coherent?
     From: Gareth Evans (Can there be Vague Objects? [1978])
     A reaction: [compressed] Lewis quotes this introduction to the famous short paper, to show that Evans wasn't proposing a poor argument, but offering a reductio of the view that vagueness is 'ontic', or a feature of the world.
Evans assumes there can be vague identity statements, and that his proof cannot be right [Evans, by Lewis]
     Full Idea: The correct interpretation is that Evans trusts his reader (unwisely) to take for granted that there are vague identity statements, that a proof of the contrary cannot be right, and that the vagueness-in-describing view affords a diagnosis of the fallacy.
     From: report of Gareth Evans (Can there be Vague Objects? [1978]) by David Lewis - Vague Identity: Evans misunderstood p.319
     A reaction: [Lowe 199:11 is a culprit!] Lewis put this interpretation to Evans, who replied 'Yes, yes, yes!'.
There clearly are vague identity statements, and Evans's argument has a false conclusion [Evans, by Lewis]
     Full Idea: One problem with Evans's argument that there are no such thing as vague identity statements is that its conclusion is plainly false. Example: 'Princeton = Princeton Borough', where it is unsettled what region 'Princeton' denotes.
     From: report of Gareth Evans (Can there be Vague Objects? [1978]) by David Lewis - Vague Identity: Evans misunderstood p.319
     A reaction: Lewis endorses the view that vagueness is semantic. I certainly don't endorse Evans's argument, which hinges on a weird example of a property, as applied to Leibniz's Law.
9. Objects / B. Unity of Objects / 3. Unity Problems / e. Vague objects
If a=b is indeterminate, then a=/=b, and so there cannot be indeterminate identity [Evans, by Thomasson]
     Full Idea: We cannot accept the existence of vague objects, according to Evans's argument that there cannot be indeterminacy of identity. ...From the assumption that it is indeterminate whether a = b, we conclude, determinately, that it's not the case that a = b.
     From: report of Gareth Evans (Can there be Vague Objects? [1978]) by Amie L. Thomasson - Ordinary Objects 05.6
     A reaction: I think we should keep intrinsic identity separate from identity between entities. A cloud can be clearly identified, while being a bit fuzzy. It is only when you ask whether we saw the same cloud that Evans's argument seems relevant.
9. Objects / F. Identity among Objects / 6. Identity between Objects
There can't be vague identity; a and b must differ, since a, unlike b, is only vaguely the same as b [Evans, by PG]
     Full Idea: Two things can't be vaguely identical, because then a would have an indeterminacy which b lacks (namely, being perfectly identical to b), so by Leibniz's Law they can't be identical.
     From: report of Gareth Evans (Can there be Vague Objects? [1978], 4.7) by PG - Db (ideas)
     A reaction: [my summary of Katherine Hawley's summary (2001:118) of Evans] Hawley considers the argument to be valid. I have grave doubts about whether b's identity with b is the sort of property needed for an application of Liebniz's Law.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
     Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
     From: Gary Kemp (Croce and Collingwood [2012], Intro)
     A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
     Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
We don't already know what to express, and then seek means of expressing it [Kemp]
     Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.
The horror expressed in some works of art could equallly be expressed by other means [Kemp]
     Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!
22. Metaethics / B. Value / 2. Values / e. Death
The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus]
     Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted.
     From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5
     A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763.