10 ideas
| 12154 | Are 'word token' and 'word type' different sorts of countable objects, or two ways of counting? [Geach, by Perry] |
| Full Idea: If we list the words 'bull', 'bull' and 'cow', it is often said that there are three 'word tokens' but only two 'word types', but Geach says there are not two kinds of object to be counted, but two different ways of counting the same object. | |
| From: report of Peter Geach (Reference and Generality (3rd ed) [1980]) by John Perry - The Same F II | |
| A reaction: Insofar as the notion that a 'word type' is an 'object', my sympathies are entirely with Geach, to my surprise. Geach's point is that 'bull' and 'bull' are the same meaning, but different actual words. Identity is relative to a concept. |
| 8969 | We should abandon absolute identity, confining it to within some category [Geach, by Hawthorne] |
| Full Idea: Geach argued that the notion of absolute identity should be abandoned. ..We can only grasp the meaning of a count noun when we associate it with a criterion of identity, expressed by a particular relative identity sortal. | |
| From: report of Peter Geach (Reference and Generality (3rd ed) [1980]) by John Hawthorne - Identity | |
| A reaction: In other words, identity needs categorisation. Hawthorne concludes that Geach is wrong. Geach clearly has much common usage on his side. 'What's that?' usually invites a categorisation. Sameness of objects seems to need a 'respect'. |
| 16075 | Denial of absolute identity has drastic implications for logic, semantics and set theory [Wasserman on Geach] |
| Full Idea: Geach's denial of absolute identity has drastic implications for logic, semantics and set theory. He must deny the axiom of extensionality in set theory, for example. | |
| From: comment on Peter Geach (Reference and Generality (3rd ed) [1980]) by Ryan Wasserman - Material Constitution 6 | |
| A reaction: I'm beginning to think we have two entirely different concepts here - the logicians' and mathematicians' notion of when two things are identical, and the ordinary language concept of two things being 'the same'. 'We like the same music'. |
| 12152 | Identity is relative. One must not say things are 'the same', but 'the same A as' [Geach] |
| Full Idea: Identity is relative. When one says 'x is identical with y' this is an incomplete expression. It is short for 'x is the same A as y', where 'A' represents some count noun understood from the context of utterance. | |
| From: Peter Geach (Reference and Generality (3rd ed) [1980], p.39), quoted by John Perry - The Same F I | |
| A reaction: Perry notes that Geach's view is in conscious opposition to Frege, who had a pure notion of identity. We say 'they are the same insofar as they are animals', but not 'they are the same animal'. Perfect identity involves all possible A's. |
| 16073 | Leibniz's Law is incomplete, since it includes a non-relativized identity predicate [Geach, by Wasserman] |
| Full Idea: Geach rejects the standard formulation of Leibniz's Law as incomplete, since it includes a non-relativized identity predicate. | |
| From: report of Peter Geach (Reference and Generality (3rd ed) [1980]) by Ryan Wasserman - Material Constitution 6 | |
| A reaction: Not many people accept Geach's premiss that identity is a relative matter. I agree with Wiggins on this, that identity is an absolute (and possibly indefinable). The problem with the Law is what you mean by a 'property'. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |