Combining Texts

All the ideas for 'Commentary on 'De Anima'', 'Croce and Collingwood' and 'Does Consciousness Exist?'

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7 ideas

15. Nature of Minds / B. Features of Minds / 1. Consciousness / e. Cause of consciousness

9286	Consciousness is not a stuff, but is explained by the relations between experiences [James]
	Full Idea: Consciousness connotes a kind of external relation, and not a special stuff or way of being. The peculiarity of our experiences, that they not only are, but are known, is best explained by their relations to one another, the relations being experiences.
	From: William James (Does Consciousness Exist? [1904], §3)
	A reaction: This view has suddenly caught people's interest. It might be better than the higher/lower relationship, which seems to leave the basic problem untouched. Does a whole network of relations between experiences gradually 'add up' to consciousness?

17. Mind and Body / E. Mind as Physical / 3. Eliminativism

9285	'Consciousness' is a nonentity, a mere echo of the disappearing 'soul' [James]
	Full Idea: 'Consciousness' is the name of a nonentity. ..Those who cling to it are clinging to a mere echo, the faint rumour left behind by the disappearing 'soul' upon the air of philosophy. ..I deny that it stands for an entity, but it does stand for a function.
	From: William James (Does Consciousness Exist? [1904], Intro)
	A reaction: This kind of view is often treated as being preposterous, but I think it is correct. No one is denying the phenomenology, but it is the ontology which is at stake. Either you are a substance dualist, or mind must be eliminated as an 'entity'.

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics

20416	By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
	Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
	From: Gary Kemp (Croce and Collingwood [2012], Intro)
	A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.

21. Aesthetics / B. Nature of Art / 4. Art as Expression

20417	Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
	Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
	From: Gary Kemp (Croce and Collingwood [2012], 1)
	A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.

20419	We don't already know what to express, and then seek means of expressing it [Kemp]
	Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
	From: Gary Kemp (Croce and Collingwood [2012], 1)
	A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.

20418	The horror expressed in some works of art could equallly be expressed by other means [Kemp]
	Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
	From: Gary Kemp (Croce and Collingwood [2012], 1)
	A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!

22. Metaethics / B. Value / 2. Values / e. Death

16764	The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus]
	Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted.
	From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5
	A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763.