3 ideas
| 12710 | As well as extension, bodies contain powers [Leibniz] |
| Full Idea: Over and above what can be deduced from extension, we must add and recognise in bodies certain notions or forms that are immaterial, so to speak, or independent of extension, which you can call powers [potentia], by which speed is adjusted to magnitude. | |
| From: Gottfried Leibniz (De Natura Corporis [1678], A6.4.1980), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 3 | |
| A reaction: He boldly asserts that the powers are 'immaterial', but is then forced to qualify it (as he often does) with 'so to speak'. The notion that bodies just have extension (occupy space) comes from Descartes, and is firmly opposed by Leibniz. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |