Combining Texts

All the ideas for 'Commentary on 'De Anima'', 'The Nature of Musical Expression' and 'The Conquest of Happiness'

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8 ideas

21. Aesthetics / B. Nature of Art / 4. Art as Expression
Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
     Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
     From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
     A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
     Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
     From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
     A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.
22. Metaethics / B. Value / 2. Values / e. Death
The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus]
     Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted.
     From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5
     A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763.
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
A happy and joyous life must largely be a quiet life [Russell]
     Full Idea: A happy life must to a great extent be a quiet life, for it is only in an atmosphere of quiet that true joy can live.
     From: Bertrand Russell (The Conquest of Happiness [1930], 4)
     A reaction: Most people's image of happiness is absorption in an interesting task, or relaxing in good company. The idea that happiness is wild excitement exists, but is a minority view.
23. Ethics / F. Existentialism / 4. Boredom
Boredom always involves not being fully occupied [Russell]
     Full Idea: It is one of the essentials of boredom that one's faculties must not be fully occupied.
     From: Bertrand Russell (The Conquest of Happiness [1930], 4)
     A reaction: He gives running for your life as an example of non-boredom. I suspect that this is only the sort of boredom that troubled Russell, and not the sort of profound boredom that led the actor George Sanders to suicide (according to his last note).
Happiness involves enduring boredom, and the young should be taught this [Russell]
     Full Idea: A certain power of enduring boredom is essential to a happy life, and is one of the things that ought to be taught to the young.
     From: Bertrand Russell (The Conquest of Happiness [1930], 4)
     A reaction: As an example he suggests that Wordsworth would never have written 'The Prelude' is he had never been bored when young. Which suggests that Russell doesn't really get boredom, seeing it merely as a stimulus to work.
Boredom is an increasingly strong motivating power [Russell]
     Full Idea: Boredom has been, I believe, one of the great motive powers throughout the historical epoch, and is so at the present day more than ever.
     From: Bertrand Russell (The Conquest of Happiness [1930], 4)
     A reaction: Most of his essay tells us how to avoid boredom, rather than how it motivates.
Life is now more interesting, but boredom is more frightening [Russell]
     Full Idea: We are less bored than our ancestors were, but we are more afraid of boredom
     From: Bertrand Russell (The Conquest of Happiness [1930], 4)
     A reaction: I get the impression that the invention of the powerful mobile phone has largely banished boredom from human life, except when you are obliged to switch it off. The fear of boredom may hence be even greater now.