6 ideas
| 19480 | Process philosophy places the dynamic nature of being at the centre of our theories [Seibt] |
| Full Idea: Process philosophy is based on the premise that being is dynamic and that the dynamic nature of being should be the primary focus of any comprehensive philosophical account of reality and our place within it. | |
| From: Johanna Seibt (Process Philosophy [2012], Intro) | |
| A reaction: Put like that, the chief ancestor of this approach would be Leibniz, even though his central idea concerns substances. Heraclitus is the most famous ancestor of Process Philosophy. Powers are dynamic, but powers of what? |
| 19479 | Reductionists identify processes by their 'owner', but tornadoes etc. are processes without owners [Seibt] |
| Full Idea: On the reductionist view of processes, they are all 'owned' and we identify them by their owner (such as the murder of Caesar), ...but many processes (e.g. tornadoes, lightning bolts, the NY rush hour) lack a proper 'subject' altogether. | |
| From: Johanna Seibt (Process Philosophy [2012], 2) | |
| A reaction: This seems to be a fairly conclusive refutation of the view that processes are just objects changing their properties. |
| 19481 | Traditionally small things add up to processes, but quantum mechanics reverses this [Seibt] |
| Full Idea: Instead of very small things (atoms) combining to produce standard processes (snowstorms), modern physics envisions very small processes (quantum phenomena) combining to produce standard things. | |
| From: Johanna Seibt (Process Philosophy [2012], 4 (i)) | |
| A reaction: Though electrons seem to be distinct things with a fixed set of properties, so this is not a clear point. Where do fields come into it? Beware of citing quantum mechanics in metaphysics! |
| 12165 | Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton] |
| Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood). | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.54) | |
| A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions. |
| 12164 | Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton] |
| Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it. | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.49) | |
| A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though. |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |