Combining Texts

All the ideas for 'Commentary on 'De Anima'', 'The Nature of Musical Expression' and 'Leibniz'

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5 ideas

10. Modality / B. Possibility / 1. Possibility
19378 Early modern possibility is what occurs sometime; for Leibniz, it is what is not contradictory [Arthur,R]
     Full Idea: For Descartes, Hobbes and Spinoza, if a state of things is possible, it must occur at some time, whether past, present or future. For Leibniz possibility makes no reference to time; an individual is possible if its concept contains no contradiction.
     From: Richard T.W. Arthur (Leibniz [2014], 4 'Contingent')
     A reaction: It has always struck me as fallacious to say that anything that is possible must at some time occur. If '6' is possible on the die, what will constrain it to eventually come up when thrown? Mere non-contradiction doesn't imply possibility either.
17. Mind and Body / A. Mind-Body Dualism / 4. Occasionalism
19380 Occasionalism contradicts the Eucharist, which needs genuine changes of substance [Arthur,R]
     Full Idea: The Jesuits rejected occasionalism ... because it is incompatible with the Catholic interpretation of the Eucharist, which there is genuine change of substance of the bread into the substance of Christ (transubstantiation).
     From: Richard T.W. Arthur (Leibniz [2014], 5 'Substance')
     A reaction: Not sure I understand this, but I take it that the Eucharist needs a real relation across the substance-spirit boundary, and not just a co-ordination.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
12165 Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
     Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
     From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
     A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
12164 Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
     Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
     From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
     A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.
22. Metaethics / B. Value / 2. Values / e. Death
16764 The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus]
     Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted.
     From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5
     A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763.