9 ideas
| 19271 | No rule can be fully explained [Kripke] |
| Full Idea: Every explanation of a rule could conceivably be misunderstood. | |
| From: Saul A. Kripke (Wittgenstein on Rules and Private Language [1982], 3) | |
| A reaction: This is Kripke's summary of what he takes to be Wittgenstein's scepticism about rules. |
| 19269 | 'Quus' means the same as 'plus' if the ingredients are less than 57; otherwise it just produces 5 [Kripke] |
| Full Idea: I will define 'quus' by x-quus-y = x + y, if x, y < 57, and otherwise it equals 5. Who is to say that this is not the function I previously meant by '+'? | |
| From: Saul A. Kripke (Wittgenstein on Rules and Private Language [1982], 2) | |
| A reaction: Kripke's famous example, to illustrate the big new scepticism introduced by Wittgenstein's questions about the rationality of following a rule. I suspect that you have to delve into psychology to understand rule-following, rather than logic. |
| 7305 | Kripke's Wittgenstein says meaning 'vanishes into thin air' [Kripke, by Miller,A] |
| Full Idea: Quine and Kripke's Wittgenstein attempt to argue that there are no facts about meaning, that the notion of meaning, as Kripke puts it, 'vanishes into thin air'. | |
| From: report of Saul A. Kripke (Wittgenstein on Rules and Private Language [1982]) by Alexander Miller - Philosophy of Language Pref | |
| A reaction: A tempting solution to the problem. If, though, it is possible for someone to say something that is self-evidently meaningless, or to accuse someone of speaking (deep down) without meaning, then that needs explaining. |
| 19270 | If you ask what is in your mind for following the addition rule, meaning just seems to vanish [Kripke] |
| Full Idea: What can there be in my mind that I make use of when I follow a general rule to add in the future? It seems that the entire idea of meaning vanishes into thin air. | |
| From: Saul A. Kripke (Wittgenstein on Rules and Private Language [1982], 2) | |
| A reaction: Introspection probably isn't the best way to investigate the phenomenon of meaning. Indeed it seems rather old-fashioned and Cartesian. Kripke says, though, that seeking 'tacit' rules is even worse [end of note 22]. |
| 11076 | Community implies assertability-conditions rather than truth-conditions semantics [Kripke, by Hanna] |
| Full Idea: If we take account of the fact that a speaker is in a community, then we must adopt an assertability-conditions semantics (based on what is legitimately assertible), and reject truth-conditional semantics (based on correspondence to the facts). | |
| From: report of Saul A. Kripke (Wittgenstein on Rules and Private Language [1982]) by Robert Hanna - Rationality and Logic 6.1 | |
| A reaction: [Part of Hanna's full summary of Kripke's argument] This sounds wrong to me. There are conditions where it is agreed that a lie should be told. Two people can be guilty of the same malapropism. |
| 11075 | The sceptical rule-following paradox is the basis of the private language argument [Kripke, by Hanna] |
| Full Idea: Kripke argues that the 'rule-following paradox' is essential to the more controversial private language argument, and introduces a radically new form of scepticism. | |
| From: report of Saul A. Kripke (Wittgenstein on Rules and Private Language [1982]) by Robert Hanna - Rationality and Logic 6.1 | |
| A reaction: It certainly seems that Kripke is right to emphasise the separateness of the two, as the paradox is quite persuasive, but the private language argument seems less so. |
| 12165 | Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton] |
| Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood). | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.54) | |
| A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions. |
| 12164 | Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton] |
| Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it. | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.49) | |
| A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though. |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |