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All the ideas for 'Commentary on 'De Anima'', 'The Nature of Musical Expression' and 'Continental Philosophy - V. Short Intro'

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7 ideas

1. Philosophy / G. Scientific Philosophy / 3. Scientism
7068 If infatuation with science leads to bad scientism, its rejection leads to obscurantism [Critchley]
     Full Idea: If what is mistaken in much contemporary philosophy is its infatuation with science, which leads to scientism, then the equally mistaken rejection of science leads to obscurantism.
     From: Simon Critchley (Continental Philosophy - V. Short Intro [2001], Ch.1)
     A reaction: Clearly a balance has to be struck. I take philosophy to be a quite separate discipline from science, but it is crucial that philosophy respects the physical facts, and scientists are the experts there. Scientists are philosophers' most valued servants.
1. Philosophy / H. Continental Philosophy / 1. Continental Philosophy
7075 To meet the division in our life, try the Subject, Nature, Spirit, Will, Power, Praxis, Unconscious, or Being [Critchley]
     Full Idea: Against the Kantian division of a priori and empirical, Fichte offered activity of the subject, Schelling offered natural force, Hegel offered Spirit, Schopenhauer the Will, Nietzsche power, Marx praxis, Freud the unconscious, and Heidegger offered Being.
     From: Simon Critchley (Continental Philosophy - V. Short Intro [2001])
     A reaction: The whole of Continental Philosophy summarised in a sentence. Fichte and Schopenhauer seem to point to existentialism, Schelling gives evolutionary teleology, Marx abandons philosophy, the others are up the creek.
7069 The French keep returning, to Hegel or Nietzsche or Marx [Critchley]
     Full Idea: French philosophy since the 1930s might be described as a series of returns: to Hegel (in Kojčve and early Sartre), to Nietzsche (in Foucault and Deleuze), or to Marx (in Althusser).
     From: Simon Critchley (Continental Philosophy - V. Short Intro [2001], Ch.2)
     A reaction: An interesting map. The question might be why they return to those three, rather than (say) Hume or Leibniz. If the choice of which one you return to a matter of 'taste' (as Nietzsche would have it)?
21. Aesthetics / B. Nature of Art / 4. Art as Expression
12165 Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
     Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
     From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
     A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
12164 Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
     Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
     From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
     A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
7067 Food first, then ethics [Critchley]
     Full Idea: Food first, then ethics.
     From: Simon Critchley (Continental Philosophy - V. Short Intro [2001], 8857)
     A reaction: This is not a dismissal of philosophy, but a key fact which ethical philosophers must face up to. See Mr Doolittle's speech in Shaw's 'Pygmalion. It connects to the debate c.1610 about whether one is entitled to grab someone's plank to avoid drowning.
22. Metaethics / B. Value / 2. Values / e. Death
16764 The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus]
     Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted.
     From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5
     A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763.