5 ideas
| 6710 | You can only define a statement that something is 'true' by referring to its functional possibilities [James] |
| Full Idea: Pragmatism insists that statements and beliefs are inertly and statically true only by courtesy: they practically pass for true; but you cannot define what you mean by calling them true without referring to their functional possibilities. | |
| From: William James (The Meaning of the Word "Truth" [1907], p.2) | |
| A reaction: I think this clarifies an objection to pragmatism, because all functional definitions (e.g. of the mind, or of moral behaviour) are preceded by the question of WHY this thing is able to function in this way. What special quality makes this possible? |
| 22305 | If the hypothesis of God is widely successful, it is true [James] |
| Full Idea: On pragmatistic principles, if the hypothesis of God works satisfactorily in the widest sense of the word, it is true. | |
| From: William James (The Meaning of the Word "Truth" [1907], p.299), quoted by Michael Potter - The Rise of Analytic Philosophy 1879-1930 35 'Prag' | |
| A reaction: How you get from 'widely satisfactory' to 'true' is beyond my comprehension. This is dangerous nonsense. This view of truth seems to be a commonplace in American culture. Peirce hurray! James boo! James accepted verification, where possible. |
| 12165 | Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton] |
| Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood). | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.54) | |
| A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions. |
| 12164 | Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton] |
| Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it. | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.49) | |
| A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though. |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |