7 ideas
| 3750 | "It is true that x" means no more than x [Ramsey] |
| Full Idea: It is evident that "It is true that Caesar was murdered" means no more than that Caesar was murdered. | |
| From: Frank P. Ramsey (Facts and Propositions [1927]) | |
| A reaction: At the very least, saying it is true adds emphasis. One sentence is about Caesar, the other about a proposal concerning Caesar, so they can't quite be the same. Note Frege's priority in making this suggestion. |
| 10467 | Individuals consist of 'compresent' tropes [Bacon,John] |
| Full Idea: 'Qualitons' or 'relatons' (quality and relation tropes) are held to belong to the same individual if they are all 'compresent' with one another. | |
| From: John Bacon (Tropes [2008], §4) | |
| A reaction: There is a perennial problem with bundles - how to distinguish accidental compresence (like people in a lift) from united compresence (like people who make a family). |
| 10464 | A trope is a bit of a property or relation (not an exemplification or a quality) [Bacon,John] |
| Full Idea: A trope is an instance or bit (not an exemplification) of a property or a relation. Bill Clinton's eloquence is not his participating in the universal eloquence, or the peculiar quality of his eloquence, but his bit, and his alone, of eloquence. | |
| From: John Bacon (Tropes [2008], Intro) | |
| A reaction: If we have identified something as a 'bit' of something, we can ask whether that bit is atomic, or divisible into something else, and we can ask what are the qualities and properties and powers of this bit, we seems to defeat the object. |
| 10465 | Trope theory is ontologically parsimonious, with possibly only one-category [Bacon,John] |
| Full Idea: A major attraction of tropism has been its promise of parsimony; some adherents (such as Campbell) go so far as to proclaim a one-category ontology. | |
| From: John Bacon (Tropes [2008], §2) | |
| A reaction: This seems to go against the folk idiom which suggests that it is things which have properties, rather than properties ruling to roost. Maybe if one identified tropes with processes, the theory could be brought more into line with modern physics? |
| 10466 | Maybe possible worlds are just sets of possible tropes [Bacon,John] |
| Full Idea: Meinongian tropism has the advantage that possible worlds might be thought of as sets of 'qualitons' and 'relatons' (quality and relational tropes). | |
| From: John Bacon (Tropes [2008], §3) | |
| A reaction: You are still left with 'possible' to explain, and I'm not sure that anything is explain here. If the actual world is sets of tropes, then possible worlds would also have to be, I suppose. |
| 18818 | Sentence meaning is given by the actions to which it would lead [Ramsey] |
| Full Idea: The meaning of a sentence is to be defined by reference to the actions to which asserting it would lead. | |
| From: Frank P. Ramsey (Facts and Propositions [1927], p.51), quoted by Ian Rumfitt - The Boundary Stones of Thought | |
| A reaction: I find this idea quite bizarre. Most sentences have no connection to any action or behavior at all. Do we have to ingeniously contrive some possible action? That is the worst sort of behaviourism. See context - Ramsey wasn't stupid! |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |