9 ideas
| 8439 | Maybe each event has only one possible causal history [Bennett] |
| Full Idea: Perhaps it is impossible that an event should have had a causal history different from the one that it actually had. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.220) | |
| A reaction: [He cites van Inwagen for this] The idea is analagous to baptismal accounts of reference. Individuate an event by its history. It might depend (as Davidson implies) on how you describe the event. |
| 8440 | Maybe an event's time of occurrence is essential to it [Bennett] |
| Full Idea: It has been argued that an event's time of occurrence is essential to it. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.221) | |
| A reaction: [He cites Lawrence Lombard] This sound initially implausible, particularly if a rival event happened, say, .1 of a second later than the actual event. It might depend on one's view about determinism. Interesting. |
| 20363 | Leaves are unequal, but we form the concept 'leaf' by discarding their individual differences [Nietzsche] |
| Full Idea: Every concept arises through the setting equal of the unequal. Just as it is certain that one leaf is never wholly equal to another, so it is certain that the concept leaf is formed by arbitrarily discarding these individual differences. | |
| From: Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense [1872]), quoted by John Richardson - Nietzsche's System 2.1.1 n28 | |
| A reaction: Nietzsche adds an interesting aspect to psychological abstraction, of abstracting away the differences between things, which we might label as the (further) capacity for Equalisation. If two cars differ only in a blemish, we abstract away the blemish. |
| 20344 | Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim] |
| Full Idea: Hanslick concluded from the fact that music doesn't express definite feelings like piety, love, joy, or sadness, that it isn't an art of expression. | |
| From: report of Eduard Hanslick (The Beautiful in Music [1854]) by Richard Wollheim - Art and Its Objects 48 | |
| A reaction: Whether music is 'expressive' (which it may not be) should not be confused with whether it is emotional, which it clearly is, even in its coolest examples. Hanslick viewed music as a code, not a language. |
| 8441 | Delaying a fire doesn't cause it, but hastening it might [Bennett] |
| Full Idea: Although you cannot cause a fire by delaying something's burning, you can cause a fire by hastening something's burning. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.223) | |
| A reaction: A very nice observation which brings out all sorts of problems about identifying causes. Bennett is criticising the counterfactual account. It is part of the problem of pre-emption, where causes are queueing up to produce a given effect. |
| 8436 | Either cause and effect are subsumed under a conditional because of properties, or it is counterfactual [Bennett] |
| Full Idea: We must choose between subsumption and counterfactual analyses of causal statements. The former means that cause and effect have some properties that enables them to be subsumed under a conditional. The latter is just 'if no-c then no-e'. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.217) | |
| A reaction: I have an immediate preference for the former account, which seems to potentially connect it with physics and features of the world which make one thing lead to another. The counterfactual account seems very thin, and is more like mere semantics. |
| 8435 | Causes are between events ('the explosion') or between facts/states of affairs ('a bomb dropped') [Bennett] |
| Full Idea: Theories of causation are split between event and fact/state of affairs theories. The first have the form 'the explosion caused the fire' (perfect nominals) and the second have the form 'the fire started because a bomb dropped' (sentential clauses). | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987]) | |
| A reaction: Surely events must have priority? The form which uses facts is drifting off into explanation, and is much more likely to involve subjective human elements and interpretations. Events are closer to the physics, and the mechanics of what happens. |
| 8437 | The full counterfactual story asserts a series of events, because counterfactuals are not transitive [Bennett] |
| Full Idea: The refinement of a simple counterfactual analysis is to say that cause and effect depend on a series of events. This must be asserted because counterfactual conditionals are well known not to be transitive. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987]) | |
| A reaction: This fills out the theory, but offers another target for critics. If the glue that binds the series is not in the counterfactuals, is it just in the mind of the speaker? How do you decide what's in the series? Cf. deciding offside in football (soccer!). |
| 8438 | A counterfactual about an event implies something about the event's essence [Bennett] |
| Full Idea: Any counterfactual about a particular event implies or presupposes something about the event's essence. | |
| From: Jonathan Bennett (Event Causation: counterfactual analysis [1987], p.219) | |
| A reaction: This is where the counterfactual theory suddenly becomes more interesting, instead of just being a rather bare account of the logical structure of causation. (Bennett offers some discussion of possible essential implications). |