5 ideas
| 7848 | Philosophy begins in the horror and absurdity of existence [Nietzsche, by Ansell Pearson] |
| Full Idea: For Nietzsche philosophy begins in horror - existence is something both horrible and absurd. | |
| From: report of Friedrich Nietzsche (The Birth of Tragedy [1871]) by Keith Ansell Pearson - How to Read Nietzsche Ch.1 | |
| A reaction: A striking contrast to Aristotle (Idea 549). Personally I think my philosophy begins with confusion. Not that I endorse a Wittgenteinian view, that we are just trying to cure ourselves of self-inflicted wounds. Life is very complex and we are bit simple. |
| 16705 | Whiteness isn't created in an alteration, because it is just this-being-white [Oresme] |
| Full Idea: If it is said that whiteness begins to be through alteration, this does not hold, because whiteness is nothing other than this-being-white. | |
| From: Nicole Oresme (On 'Generation and Corruption' [1349], I.2), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 19.3 | |
| A reaction: This innocent-looking remark is dynamite, because it rejects the separability of qualities, which threatens the doctrine of Transubstantiation. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |