4 ideas
| 21342 | A relation is internal if two things possessing the relation could not fail to be related [Moore,GE, by Heil] |
| Full Idea: Moore characterises internal relations modally, as those essential to their relata. If a and b are related R-wise, and R is an internal relation, a and b could not fail to be so related; otherwise R is external. | |
| From: report of G.E. Moore (External and Internal Relations [1919]) by John Heil - Relations 'Internal' | |
| A reaction: I don't think of Moore as an essentialist, but this fits the essentialist picture nicely, and is probably best paraphrased in terms of powers. Integers are the standard example of internal relations. |
| 23996 | Akrasia is intelligible in hindsight, when we revisit our previous emotions [Blackburn] |
| Full Idea: To make my emotion intelligible [in a weakness of will case] is to look back and recognise that my emotions and dispositions were not quite as I had taken them to be. It is quite useless in such a case to invoke a blanket diagnosis of 'irrationality'. | |
| From: Simon Blackburn (Ruling Passions [1998], p.191) | |
| A reaction: So Blackburn rejects the idea of akrasia, because there was never really a conflict. He says rational people always aim to maximise their utility (p.135), and if their own act surprises them, it is just a failure to understand their own rationality. |
| 12156 | Aesthetics has risen and fallen with Romanticism [Scruton] |
| Full Idea: The rise and fall (as we presently perceive them) of aesthetics have been contemporaneous with the rise and fall of Romanticism. | |
| From: Roger Scruton (Recent Aesthetics in England and America [1980], p.3) | |
| A reaction: Maybe it started a little before Romanticism, as part of the Englightenment aim of being rational about everything, and maybe it survives Romanticism because we want to be scientific about everything. |
| 12158 | Aesthetic experience informs the world with the values of the observer [Scruton] |
| Full Idea: It is possible to conclude that aesthetic experience has a peculiar practical significance: it represents the world as informed by the values of the observer. | |
| From: Roger Scruton (Recent Aesthetics in England and America [1980], p.13) | |
| A reaction: An excellent remark. If you look at, or listen to, anything, you can make a conscious effort to drain away your personal values (objectivity; science?), or you can consciously flood them with values. But moral and aesthetic vision must differ... |