12 ideas
| 20100 | Classical liberalism seeks freedom of opinion, of private life, of expression, and of property [Micklethwait/Wooldridge] |
| Full Idea: The classical liberals agreed on a basic list of freedoms: of opinion (including religion), of private life, of expression, and of property | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 9) | |
| A reaction: Mill is main articulator of this. Modern neo-liberals focus on economic freedom. Neither of them seem to make freedom of opportunity central, though I suspect our modern Liberal Party would. |
| 6455 | Maybe 'sense-data' just help us to talk about unusual perceptual situations [Lacey] |
| Full Idea: One possibility is that talk of sense-data is a mere linguistic convenience, providing a noun for talking about appearances, as when seeing a red object in sodium light (when it looks grey). | |
| From: A.R. Lacey (A Dictionary of Philosophy [1976], p.196) | |
| A reaction: The term seems to have been coined to deal with situations where there is a gap between appearance and presumed reality, as in illusions. Maybe illusions prove the existence of sense-data, rather than it being a 'convenient' term. |
| 6454 | Where do sense-data begin or end? Can they change? What sort of thing are they? [Lacey] |
| Full Idea: It is hard to individuate sense-data, saying where one ends and the next begins, and hard to say whether they can change; are they substances, qualities, events, or what? | |
| From: A.R. Lacey (A Dictionary of Philosophy [1976], p.196) | |
| A reaction: The problem is not that these questions are unanswerable. The answer seems to be either that they are physical and external, or that they are mental and internal, and that there is no ontological space for them between the two. |
| 6453 | Some claim sense-data are public, and are parts of objects [Lacey] |
| Full Idea: Sometimes it is said that sense-data are public, and parts either of objects or of the surfaces of objects. | |
| From: A.R. Lacey (A Dictionary of Philosophy [1976], p.196) | |
| A reaction: This suggests two drastically different theories, one making sense-data into mental events, the other placing them in the 'external' world. The latter theory can dovetail them with the physics, but then why would we need them? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20097 | The welfare state aims at freedom from want, and equality of opportunity [Micklethwait/Wooldridge] |
| Full Idea: In the classical liberal tradition freedom meant freedom from external control, and equality meant equality before the law. In the welfare state (of Beatrice Webb) freedom was reinterpreted as freedom from want, and equality as equality of opportunity. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 3) | |
| A reaction: The authors call this the 'third revolution' in government, after 17th century centralisation and early 19th century accountability. Tawney 1931 is the key text. |
| 20099 | For communists history is driven by the proletariat [Micklethwait/Wooldridge] |
| Full Idea: For the communists the proletariat rather than the state was the locomotive of history. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 3) | |
| A reaction: I feel increasingly reluctant to support any party which appears to mainly represent the interests of a single social class, no matter how large that class may be. An attraction of liberalism is that it makes no reference to class. |
| 20098 | Fans of economic freedom claim that capitalism is self-correcting [Micklethwait/Wooldridge] |
| Full Idea: The central laissez-faire conceit is that capitalism is a self-correcting mechanism. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 3) | |
| A reaction: This was Keynes's rather left-wing criticism of standard capitalist views. These resurfaced in the 1980s with mantras about the virtues of 'market forces'. |
| 20096 | Roman law entrenched property rights [Micklethwait/Wooldridge] |
| Full Idea: Roman law entrenched property rights. | |
| From: Micklethwait,J/Wooldridge,A (The Fourth Revolution [2014], 1 Intro) | |
| A reaction: Normally attributed to Locke, so this is a good corrective. Was the principle gradually forgotten before Locke? |