12 ideas
| 15565 | Events have inbuilt essences, as necessary conditions for their occurrence [Lewis] |
| Full Idea: Events have their essences built in, in the form of necessary conditions for their occurrence. | |
| From: David Lewis (Events [1986], III) | |
| A reaction: Revealing. He thinks the essence of an event is something which precedes the event. I take it as obvious that if an event has an essence, it will be some features of the event that occur in it and during it. They need to be intrinsic. |
| 15567 | Some events involve no change; they must, because causal histories involve unchanges [Lewis] |
| Full Idea: Not all events involve change. We cannot afford to count the unchanges as nonevents, for the unchanges may be needed to complete causal histories. | |
| From: David Lewis (Events [1986], VI) | |
| A reaction: You end up calling non-changes 'events' if you commit to a simplistic theory that all causal histories consist of events. Why not allow conditions as well as events? Lewis concedes that he may be abusing language. |
| 15566 | Events are classes, and so there is a mereology of their parts [Lewis] |
| Full Idea: If events are classes, as I propose, then they have a mereology in the way that all classes do: the parts of a class are its subclasses. | |
| From: David Lewis (Events [1986], V) | |
| A reaction: Lewis says events are properties, which he regards as classes. It is not clear that events are strictly mereological. Could one happening be two events? Is WWII a simple sum of its parts? [see p.260] |
| 15561 | The events that suit semantics may not be the events that suit causation [Lewis] |
| Full Idea: There is no guarantee that events made for semantics are the same as events that are causes and effects. | |
| From: David Lewis (Events [1986], I) | |
| A reaction: This little cri de couer could be a motto for a huge amount of analytic philosophy, which (for some odd reason) thought that mathematics, logic, set theory and formal semantics were good tools for explaining nature. |
| 15564 | An event is a property of a unique space-time region [Lewis] |
| Full Idea: I propose to identify an event with a property, or in other words with a class, a unique spatio-temporal region corresponding to where that event occurs. | |
| From: David Lewis (Events [1986], II) | |
| A reaction: [I've run together two separate bits, on p.244 and 245] Lewis cites Montague's similar view, that events are properties of times. |
| 15563 | Properties are very abundant (unlike universals), and are used for semantics and higher-order variables [Lewis] |
| Full Idea: Properties are abundant, numbering at least beth-3 for properties of individuals alone; they are suited to serve as semantic values of arbitrarily complex predicates and gerunds, and higher-order variables. (If there are universals, they are sparse). | |
| From: David Lewis (Events [1986], II n2) | |
| A reaction: To me this is an outrageous hijacking of the notion of property which is needed for explaining the natural world. He seems to be talking about predicates. He wants to leave me with his silly universals - well I don't want them, thank you. |
| 16718 | Primary qualities are the cause of all the other sensible qualities [Albertus Magnus] |
| Full Idea: The primary qualities of tangible things are the cause of all the other sensible qualities. | |
| From: Albertus Magnus (On 'Generation and Corruption' [1261], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 21.2 | |
| A reaction: This makes the primary qualities sound suspiciously like the essence. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 15562 | Causation is a general relation derived from instances of causal dependence [Lewis] |
| Full Idea: Causation is the ancestral of causal dependence: event c causes event e iff either e depends on c, or e depends on an intermediate event which in turn depends on c, or.... | |
| From: David Lewis (Events [1986], I) | |
| A reaction: This is Lewis making sure that we don't postulate some huge bogus thing called 'Causation' which is supposed to be in charge of Nature. Good point. |