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All the ideas for 'Croce and Collingwood', 'On the Syllogism IV' and 'works'

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7 ideas

5. Theory of Logic / E. Structures of Logic / 6. Relations in Logic

17744	De Morgan started the study of relations and their properties [De Morgan, by Walicki]
	Full Idea: De Morgan started the sustained interest in the study of relations and their properties.
	From: report of Augustus De Morgan (On the Syllogism IV [1859]) by Michal Walicki - Introduction to Mathematical Logic History D.1.1

13501	De Morgan found inferences involving relations, which eluded Aristotle's syllogistic [De Morgan, by Hart,WD]
	Full Idea: There was a prejudice against relations (in favour of properties) but De Morgan and others that impeccable inferences turn on relations and elude Aristotle's syllogistic. Thus: All horses are animals. Hence, all heads of horses are heads of animals.
	From: report of Augustus De Morgan (On the Syllogism IV [1859]) by William D. Hart - The Evolution of Logic 4
	A reaction: This is actually an early example of modern analytic philosophy in action. You start with the inferences, and then work back to the ontology and the definition of concepts. But in pinning down such concepts, do we miss their full meaning?

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics

20416	By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
	Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
	From: Gary Kemp (Croce and Collingwood [2012], Intro)
	A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.

21. Aesthetics / B. Nature of Art / 4. Art as Expression

20417	Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
	Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
	From: Gary Kemp (Croce and Collingwood [2012], 1)
	A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.

20419	We don't already know what to express, and then seek means of expressing it [Kemp]
	Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
	From: Gary Kemp (Croce and Collingwood [2012], 1)
	A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.

20418	The horror expressed in some works of art could equallly be expressed by other means [Kemp]
	Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
	From: Gary Kemp (Croce and Collingwood [2012], 1)
	A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!

22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / b. Defining ethics

5319	Avoid punishment, then get rewards, avoid rejection, avoid guilt, accept contracts, follow conscience [Kohlberg, by Wilson,EO]
	Full Idea: Kohlberg's six stages of ethical development are: 1) avoid punishment, 2) obtain rewards, 3) avoid rejection, 4) avoid censure and guilt, 5) recognise contracts, 6) individual conscience.
	From: report of Lawrence Kohlberg (works [1969]) by Edmund O. Wilson - On Human Nature p.166
	A reaction: This doesn't throw much light on philosophical problems, but the order of the six stages is interesting. Beware of oversimplification, because a situation can put pressure on any one of these six aspects of morality.