12 ideas
| 472 | No things would be clear to us as entity or relationships unless there existed Number and its essence [Philolaus] |
| Full Idea: No existing things would be clear to anyone, either in themselves or in their relationship to one another, unless there existed Number and its essence. | |
| From: Philolaus (On the Cosmos (lost) [c.435 BCE], B11), quoted by John Stobaeus - Anthology 1.03.8 |
| 4871 | A thing is free if it acts only by the necessity of its own nature [Spinoza] |
| Full Idea: I say that a thing is free, which exists and acts solely by the necessity of its own nature. | |
| From: Baruch de Spinoza (Letter to G.H. Schaller [1674], 1674.10) | |
| A reaction: Of course, this isn't 'freedom' at all, but it seems to exactly right as an account of so-called freedom. In the case of a human being the 'necessity of our own nature' is character, and virtue and vice are the expressions of the necessities of character. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 1518 | Everything must involve numbers, or it couldn't be thought about or known [Philolaus] |
| Full Idea: Everything which is known has number, because otherwise it is impossible for anything to be the object of thought or knowledge. | |
| From: Philolaus (On the Cosmos (lost) [c.435 BCE], B04), quoted by John Stobaeus - Anthology 1.21.7b |
| 1519 | Harmony must pre-exist the cosmos, to bring the dissimilar sources together [Philolaus] |
| Full Idea: It would have been impossible for the dissimilar and incompatible sources to have been made into an orderly universe unless harmony had been present in some form or other. | |
| From: Philolaus (On the Cosmos (lost) [c.435 BCE], B06), quoted by John Stobaeus - Anthology 1.21.7d |
| 473 | There is no falsehood in harmony and number, only in irrational things [Philolaus] |
| Full Idea: The nature of number and harmony admits of no falsehood; for this is unrelated to them. Falsehood and envy belong to the nature of the Unlimited and the Unintelligent and the Irrational. | |
| From: Philolaus (On the Cosmos (lost) [c.435 BCE], B11), quoted by (who?) - where? |
| 469 | Existing things, and hence the Cosmos, are a mixture of the Limited and the Unlimited [Philolaus] |
| Full Idea: Since it is plain that existing things are neither wholly from the Limiting, nor wholly from the Unlimited, clearly the cosmos and its contents were fitted together from both the Limiting and the Unlimited. | |
| From: Philolaus (On the Cosmos (lost) [c.435 BCE], B02), quoted by John Stobaeus - Anthology 1.21.7a |
| 476 | Self-created numbers make the universe stable [Philolaus] |
| Full Idea: Number is the ruling and self-created bond which maintains the everlasting stability of the contents of the universe. | |
| From: Philolaus (On the Cosmos (lost) [c.435 BCE], B23), quoted by (who?) - where? |
| 1787 | Philolaus was the first person to say the earth moves in a circle [Philolaus, by Diog. Laertius] |
| Full Idea: Philolaus was the first person to affirm that the earth moves in a circle. | |
| From: report of Philolaus (On the Cosmos (lost) [c.435 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 08.Ph.3 |