25 ideas
| 10859 | A set is 'well-ordered' if every subset has a first element [Clegg] |
| Full Idea: For a set to be 'well-ordered' it is required that every subset of the set has a first element. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.13) |
| 10857 | Set theory made a closer study of infinity possible [Clegg] |
| Full Idea: Set theory made a closer study of infinity possible. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.13) |
| 10864 | Any set can always generate a larger set - its powerset, of subsets [Clegg] |
| Full Idea: The idea of the 'power set' means that it is always possible to generate a bigger one using only the elements of that set, namely the set of all its subsets. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.14) |
| 10872 | Extensionality: Two sets are equal if and only if they have the same elements [Clegg] |
| Full Idea: Axiom of Extension: Two sets are equal if and only if they have the same elements. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) |
| 10875 | Pairing: For any two sets there exists a set to which they both belong [Clegg] |
| Full Idea: Axiom of Pairing: For any two sets there exists a set to which they both belong. So you can make a set out of two other sets. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) |
| 10876 | Unions: There is a set of all the elements which belong to at least one set in a collection [Clegg] |
| Full Idea: Axiom of Unions: For every collection of sets there exists a set that contains all the elements that belong to at least one of the sets in the collection. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) |
| 10878 | Infinity: There exists a set of the empty set and the successor of each element [Clegg] |
| Full Idea: Axiom of Infinity: There exists a set containing the empty set and the successor of each of its elements. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) | |
| A reaction: This is rather different from the other axioms because it contains the notion of 'successor', though that can be generated by an ordering procedure. |
| 10877 | Powers: All the subsets of a given set form their own new powerset [Clegg] |
| Full Idea: Axiom of Powers: For each set there exists a collection of sets that contains amongst its elements all the subsets of the given set. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) | |
| A reaction: Obviously this must include the whole of the base set (i.e. not just 'proper' subsets), otherwise the new set would just be a duplicate of the base set. |
| 10879 | Choice: For every set a mechanism will choose one member of any non-empty subset [Clegg] |
| Full Idea: Axiom of Choice: For every set we can provide a mechanism for choosing one member of any non-empty subset of the set. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) | |
| A reaction: This axiom is unusual because it makes the bold claim that such a 'mechanism' can always be found. Cohen showed that this axiom is separate. The tricky bit is choosing from an infinite subset. |
| 10871 | Axiom of Existence: there exists at least one set [Clegg] |
| Full Idea: Axiom of Existence: there exists at least one set. This may be the empty set, but you need to start with something. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) |
| 10874 | Specification: a condition applied to a set will always produce a new set [Clegg] |
| Full Idea: Axiom of Specification: For every set and every condition, there corresponds a set whose elements are exactly the same as those elements of the original set for which the condition is true. So the concept 'number is even' produces a set from the integers. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) | |
| A reaction: What if the condition won't apply to the set? 'Number is even' presumably won't produce a set if it is applied to a set of non-numbers. |
| 10880 | Mathematics can be 'pure' (unapplied), 'real' (physically grounded); or 'applied' (just applicable) [Clegg] |
| Full Idea: Three views of mathematics: 'pure' mathematics, where it doesn't matter if it could ever have any application; 'real' mathematics, where every concept must be physically grounded; and 'applied' mathematics, using the non-real if the results are real. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.17) | |
| A reaction: Very helpful. No one can deny the activities of 'pure' mathematics, but I think it is undeniable that the origins of the subject are 'real' (rather than platonic). We do economics by pretending there are concepts like the 'average family'. |
| 10860 | An ordinal number is defined by the set that comes before it [Clegg] |
| Full Idea: You can think of an ordinal number as being defined by the set that comes before it, so, in the non-negative integers, ordinal 5 is defined as {0, 1, 2, 3, 4}. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.13) |
| 10861 | Beyond infinity cardinals and ordinals can come apart [Clegg] |
| Full Idea: With ordinary finite numbers ordinals and cardinals are in effect the same, but beyond infinity it is possible for two sets to have the same cardinality but different ordinals. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.13) |
| 10854 | Transcendental numbers can't be fitted to finite equations [Clegg] |
| Full Idea: The 'transcendental numbers' are those irrationals that can't be fitted to a suitable finite equation, of which π is far and away the best known. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch. 6) |
| 10858 | By adding an axis of imaginary numbers, we get the useful 'number plane' instead of number line [Clegg] |
| Full Idea: The realisation that brought 'i' into the toolkit of physicists and engineers was that you could extend the 'number line' into a new dimension, with an imaginary number axis at right angles to it. ...We now have a 'number plane'. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.12) |
| 10853 | Either lack of zero made early mathematics geometrical, or the geometrical approach made zero meaningless [Clegg] |
| Full Idea: It is a chicken-and-egg problem, whether the lack of zero forced forced classical mathematicians to rely mostly on a geometric approach to mathematics, or the geometric approach made 0 a meaningless concept, but the two remain strongly tied together. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch. 6) |
| 10866 | Cantor's account of infinities has the shaky foundation of irrational numbers [Clegg] |
| Full Idea: As far as Kronecker was concerned, Cantor had built a whole structure on the irrational numbers, and so that structure had no foundation at all. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) |
| 10869 | The Continuum Hypothesis is independent of the axioms of set theory [Clegg] |
| Full Idea: Paul Cohen showed that the Continuum Hypothesis is independent of the axioms of set theory. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.15) |
| 10862 | The 'continuum hypothesis' says aleph-one is the cardinality of the reals [Clegg] |
| Full Idea: The 'continuum hypothesis' says that aleph-one is the cardinality of the rational and irrational numbers. | |
| From: Brian Clegg (Infinity: Quest to Think the Unthinkable [2003], Ch.14) |
| 3622 | The Cogito is not a syllogism but a self-evident intuition [Descartes] |
| Full Idea: When someone says 'I am thinking, therefore I am, or I exist', he does not deduce existence from thought by means of a syllogism, but recognises it as something self-evident by a simple intuition of the mind. | |
| From: René Descartes (Reply to Second Objections [1641], 140) |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |