9 ideas
| 12189 | Logical necessity involves a decision about usage, and is non-realist and non-cognitive [Wright,C, by McFetridge] |
| Full Idea: Wright espouses a non-realist, indeed non-cognitive account of logical necessity. Crucial to this is the idea that acceptance of a statement as necessary always involves an element of decision (to use it in a necessary way). | |
| From: report of Crispin Wright (Inventing Logical Necessity [1986]) by Ian McFetridge - Logical Necessity: Some Issues §3 | |
| A reaction: This has little appeal to me, as I take (unfashionably) the view that that logical necessity is rooted in the behaviour of the actual physical world, with which you can't argue. We test simple logic by making up examples. |
| 22371 | Determinism threatens free will if actions can be causally traced to external factors [Foot] |
| Full Idea: The determinism which worries the defender of free will is that if human action is subject to a universal law of causation, there will be for any action a set of sufficient conditions which can be traced back to factors outside the control of the agent. | |
| From: Philippa Foot (Free Will as Involving Determinism [1957], p.63) | |
| A reaction: She draws on Russell for this, but neither of them mention whether the causation is physical. Free will seems to imply non-physical causation. |
| 7320 | Holism cannot give a coherent account of scientific methodology [Wright,C, by Miller,A] |
| Full Idea: Crispin Wright has argued that Quine's holism is implausible because it is actually incoherent: he claims that Quine's holism cannot provide us with a coherent account of scientific methodology. | |
| From: report of Crispin Wright (Inventing Logical Necessity [1986]) by Alexander Miller - Philosophy of Language 4.5 | |
| A reaction: This sounds promising, given my intuitive aversion to linguistic holism, and almost everything to do with Quine. Scientific methodology is not isolated, but spreads into our ordinary (experimental) interactions with the world (e.g. Idea 2461). |
| 22372 | Not all actions need motives, but it is irrational to perform troublesome actions with no motive [Foot] |
| Full Idea: We do not expect that everything a rational man does should be done with a motive, ...but we do expect a man to have a motive for many things that he does, and would count anyone who constantly performed troublesome actions without a motive as irrational. | |
| From: Philippa Foot (Free Will as Involving Determinism [1957], p.66) | |
| A reaction: Interestng, because the assessment of whether someone is 'rational' therefore needs a criterion for when a motive seems required and when not. 'Significant' actions need a motive? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 22373 | People can act out of vanity without being vain, or even vain about this kind of thing [Foot] |
| Full Idea: It makes sense to say that a man acts out of vanity on a particular occasion although he is not in general vain, or even vain about this kind of thing. | |
| From: Philippa Foot (Free Will as Involving Determinism [1957], p.69) | |
| A reaction: Aristotle tells us that virtues and vices are habits, and also have an intellectual component, implying that the person believes in that sort of behaviour. Anyone can have 'a little moment of vanity'. |