7 ideas
| 4038 | Properties are sets of their possible instances (which separates 'renate' from 'cordate') [Lewis, by Mellor/Oliver] |
| Full Idea: Lewis agrees that properties cannot be sets of their actual instances, but claims they can be sets of their possible instances. This would distinguish coextensive properties like being cordate and renate, since they might be separated. | |
| From: report of David Lewis (Modal Realism at Work: Properties [1986]) by DH Mellor / A Oliver - Introduction to 'Properties' §10 | |
| A reaction: Sounds wrong. Two properties could be obviously different even if they could never be separated. In this world a creature might briefly survive without kidneys. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 21995 | Must production determine superstructure, or could it be the other way round? [Singer on Marx] |
| Full Idea: Once the 'interaction' between the superstructure and the productive forces is admitted, is it still possible to maintain that production determines the superstructure, rather than the other way round? | |
| From: comment on Karl Marx (Capital Vol. 1 [1867]) by Peter Singer - Marx 7 | |
| A reaction: It is much harder to defend historical determinism if Singer is right about this. Modern capitalism won't admit of the sort of simple distinctions that mark was looking for. |
| 20577 | Even decently paid workers still have their produce bought with money stolen from them [Marx] |
| Full Idea: Even if the workers are paid a fair wage, the whole thing still remains the age-old activity of the conqueror, who buys commodities from the conquered with the money has has stolen from them, | |
| From: Karl Marx (Capital Vol. 1 [1867], p.728), quoted by Johanna Oksala - Political Philosophy: all that matters Ch.8 | |
| A reaction: [Penguin edition cited] The word 'stolen' is obviously dubious here. 'Exploitation' is a much more accurate word. One might talk of 'blackmail' or 'extortion' rather than theft. |