19 ideas
| 23291 | Without truth, both language and thought are impossible [Davidson] |
| Full Idea: Without a grasp of the concept of truth, not only language, but thought itself, is impossible. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.16) | |
| A reaction: Davidson never mentions animals, but I like this idea because it points to importance of truth for animals as well. I say that truth is relevant to any mind that makes judgements - and quite small animals (e.g. ants and spiders) make judgements. |
| 23284 | Plato's Forms confused truth with the most eminent truths, so only Truth itself is completely true [Davidson] |
| Full Idea: Plato's conflation of abstract universals with entities of supreme value reinforced the confusion of truth with the most eminent truths. …The only perfect exemplar of a Form is the Form itself, …and only truth itself is completely true. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.3) | |
| A reaction: Even non-subscribers to Plato often talk as if there were some grand thing called the Truth with a capital T, quite often used in a religious context. Truth is the hallmark of successful (non-fanciful) thought. |
| 23286 | Truth can't be a goal, because we can neither recognise it nor confim it [Davidson] |
| Full Idea: Since it is neither visible as a target, nor recognisable when achieved, there is no point in calling truth a goal. We should only aim at increasing confidence in our beliefs, by collecting further evidence or checking our calculations. | |
| From: Donald Davidson (Truth Rehabilitated [1997], P.6) | |
| A reaction: This is mainly aimed at pragmatists, but Davidson obviously subscribes (as do I) to their fallibilist view of knowledge. |
| 23292 | Correspondence can't be defined, but it shows how truth depends on the world [Davidson] |
| Full Idea: Correspondence, while it is empty as a definition, does capture the thought that truth depends on how the world is. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.16) | |
| A reaction: Just don't try to give a precise account of the correspondence between two things (thoughts and facts) which are so utterly different in character. |
| 23288 | When Tarski defines truth for different languages, how do we know it is a single concept? [Davidson] |
| Full Idea: We have to wonder how we know that it is some single concept which Tarski indicates how to define for each of a number of well-behaved languages. | |
| From: Donald Davidson (Truth Rehabilitated [1997], P.11) | |
| A reaction: Davidson says that Tarski makes the assumption that it is a single concept, but fails to demonstrate the fact. This resembles Frege's Julius Caesar problem - of how you know whether your number definition has defined a number. |
| 23287 | Disquotation only accounts for truth if the metalanguage contains the object language [Davidson] |
| Full Idea: Disquotation cannot pretend to give a complete account of the concept of truth, since it works only in the special case where the metalanguage contains the object language. Neither can contain their own truth predicate. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.10) | |
| A reaction: Presumably more sophisticated and complete accounts would need a further account of translation between languages - which explains Quine's interest in that topic. […see this essay, p.12] |
| 13591 | Quantified modal logic collapses if essence is withdrawn [Quine] |
| Full Idea: The whole of quantified modal logic collapses if essence is withdrawn. | |
| From: Willard Quine (Intensions Revisited [1977], p.121) | |
| A reaction: Quine offers an interesting qualification to this crushing remark in Idea 13590. The point is that objects must retain their identity in modal contexts, as if I say 'John Kennedy might have been Richard Nixon'. What could that mean? |
| 23285 | If we try to identify facts precisely, they all melt into one (as the Slingshot Argument proves) [Davidson] |
| Full Idea: If we try to provide a serious semantics for reference to facts, we discover that they melt into one; there is no telling them apart. The relevant argument (the 'Slingshot') was credited to Frege by Alonso Church. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.5) | |
| A reaction: This sounds like good grounds for not attempting to be too precise. 'There are bluebells in my local wood' identifies a fact by words, but even an animal can distinguish this fact. Only a logician dreams of making its content precise. |
| 13590 | Essences can make sense in a particular context or enquiry, as the most basic predicates [Quine] |
| Full Idea: The notion of essence makes sense in context. Relative to a particular enquiry, some predicates may play a more basic role than others, or may apply more fixedly; and these may be treated as essential. | |
| From: Willard Quine (Intensions Revisited [1977], p.121) | |
| A reaction: Quine has got a bad press on essentialism, and on modal logic, but I take this point seriously. If you give something a fixed identity by means of essence in some context, you can then go ahead and apply possible world reasoning in that context. |
| 8483 | Necessity is relative to context; it is what is assumed in an inquiry [Quine] |
| Full Idea: The very notion of necessity makes sense to me only relative to context. Typically it is applied to what is assumed in an inquiry, as against what has yet to transpire. | |
| From: Willard Quine (Intensions Revisited [1977], p.121) | |
| A reaction: Lots of things are assumed by an inquiry without an assumption that they must be true. Quine is the greatest opponent of necessity in all of philosophy. Asserting necessities, though, is too much fun to give up. It would ruin philosophy. |
| 13589 | Possible worlds are a way to dramatise essentialism, and yet they presuppose essentialism [Quine] |
| Full Idea: Talk of possible worlds is a graphic way of waging the essentialist philosophy, but it is only that; it is not an explication. Essence is needed to identify an object from one possible world to another. | |
| From: Willard Quine (Intensions Revisited [1977], p.118) | |
| A reaction: He makes the proposal sound circular, but I take a commitment to essences to be prior to talk of possible worlds. Possible worlds are a tool for clarifying modalities, not for clarifying essential identities. |
| 13588 | A rigid designator (for all possible worlds) picks out an object by its essential traits [Quine] |
| Full Idea: A rigid designator differs from others in that it picks out its object by essential traits. It designates the object in all possible worlds in which it exists. | |
| From: Willard Quine (Intensions Revisited [1977], p.118) | |
| A reaction: This states the point more clearly than Kripke ever does, and I presume it is right. Thus when we say that we wish 'our' Hubert Humphrey had won the election, we can allow that his victory elation would change him a bit. Kripke is right. |
| 13592 | Beliefs can be ascribed to machines [Quine] |
| Full Idea: Beliefs have been ascribed to machines, in support of a mechanistic philosophy, and I share this attitude. | |
| From: Willard Quine (Intensions Revisited [1977], p.123) | |
| A reaction: [He cites Raymond Nelson] One suspects that this is Quine's latent behaviourism speaking. It strikes me as a crass misuse of 'belief' to ascribe it to a simple machine like a thermostat. |
| 23289 | Knowing the potential truth conditions of a sentence is necessary and sufficient for understanding [Davidson] |
| Full Idea: It is clear that someone who knows under what conditions a sentence would be true understands that sentence, …and if someone does not know under what conditions it would be true then they do not understand it. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.13) | |
| A reaction: I've always subscribed to this view. Langauge is meaningless if you can't relate it to reality, and I don't think there could be a language without an intuitive notion of truth. |
| 23290 | It could be that the use of a sentence is explained by its truth conditions [Davidson] |
| Full Idea: It may be that sentences are used as they are because of their truth conditions, and they have the truth conditions they do because of how they are used. | |
| From: Donald Davidson (Truth Rehabilitated [1997], p.13) | |
| A reaction: I've always taken the attempt to explain meaning by use as absurd. It is similar to trying to explain mind in terms of function. In each case, what is the intrinsic nature of the thing, which makes that use or that function possible? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |