17 ideas
| 15118 | A successful Aristotelian 'definition' is what sciences produces after an investigation [Koslicki] |
| Full Idea: My current use of the Aristotelian term 'definition' is intended to correspond to what is typically accessible to a scientist only at the end of a successful investigation into the nature of a particular phenomenon. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: It is crucial to understand that Aristotle's definitions could be several hundred pages long. It has nothing to do with dictionary definitions. He proposes 'nominal' and 'real' definitions. |
| 15116 | Essences cause necessary features, and definitions describe those necessary features [Koslicki] |
| Full Idea: Since essences cause the other necessary features of a thing, so definitions, as the linguistic correlates of essences, explain, together with other axioms, the propositions describing those necessary features. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: This is nice and clear. Definitions are NOT essences - they are the linguistic correlates of essences, and mirror those essences. The necessary features are not the only things needing explanation. That picture is too passive. |
| 15110 | An essence and what merely follow from it are distinct [Koslicki] |
| Full Idea: We can distinguish (as Aristotle and Fine do) between what belongs to the essence of an object, and what merely follows from the essence of an object. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.1) | |
| A reaction: This can help to clarify the confusions that result from treating necessary properties as if they were essential. |
| 15113 | Individuals are perceived, but demonstration and definition require universals [Koslicki] |
| Full Idea: Individual instances of a kind of phenomenon, in Aristotle's view, can only be perceived through sense-perception; but they are not the proper subject-matter of scientific demonstration and definition. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: A footnote (11) explains that this is because they involve syllogisms, which require universals. I take Aristotle, and anyone sensible, to rest on individual essences, but inevitably turn to generic essences when language becomes involved. |
| 15112 | If an object exists, then its essential properties are necessary [Koslicki] |
| Full Idea: If an object has a certain property essentially, then it follows that the object has the property necessarily (if it exists). | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.2) | |
| A reaction: She is citing Fine, who says that the converse (necessity implying essence) is false. I agree with that. I also willing to challenge the first bit. I suspect an object can retain identity and lose essence. Coma patient; broken clock; aged athlete. |
| 15111 | In demonstration, the explanatory order must mirror the causal order of the phenomena [Koslicki] |
| Full Idea: Demonstration encompasses more than deductive entailment, in that the explanatory order of priority represented in a successful demonstration must mirror precisely the causal order of priority present in the phenomena in question. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.1) | |
| A reaction: She is referring to Aristotle's 'Posterior Analytics'. Put so clearly this sounds like an incredibly useful concept in discussing how we present good modern scientific explanations. Reinstating Aristotle is a major priority for philosophy! |
| 15115 | In a demonstration the middle term explains, by being part of the definition [Koslicki] |
| Full Idea: In a proper demonstrative argument, the middle term must be explanatory of the conclusion, in a very specific sense: the middle term must state what properly belongs to the definition of the kind of phenomenon in question. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: So 'All men are mortal, S is a man, so S is mortal'. The middle term is 'man', which gives a generic explanation for why S is mortal. Explanation as categorisation? I don't think this is the whole story of Aristotelian explanation. |
| 15117 | Greek uses the same word for 'cause' and 'explanation' [Koslicki] |
| Full Idea: The Greek does not disambiguate between 'cause' and 'explanation', since the same terms ('aitia' and 'aition') can be translated in both ways. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1 n15) | |
| A reaction: This is essential information if we are to understand Aristotle's Four Causes, which are quite baffling if we take 'causes' in the modern way. The are the Four Modes of Explanation. |
| 15114 | Discovering the Aristotelian essence of thunder will tell us why thunder occurs [Koslicki] |
| Full Idea: Both the question 'what is thunder?', and the question 'why does thunder occur?', for Aristotle, are answered simultaneously, once it has been discovered what the essence of thunder it, i.e. what it is to be thunder. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1 n10) | |
| A reaction: I take this idea to be pretty much the whole story about essences. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 23366 | We see nature's will in the ways all people are the same [Epictetus] |
| Full Idea: The will of nature may be learned from those things in which we do not differ from one another. | |
| From: Epictetus (The Handbook [Encheiridion] [c.58], 26) | |
| A reaction: There you go! This is the rule for anthropologists on field trips. And it guides us towards a core of essential human nature. But it neglects the way that nature is expressed in different cultures, which is also important. |
| 4022 | Epictetus says we should console others for misfortune, but not be moved by pity [Epictetus, by Taylor,C] |
| Full Idea: The injunction of Epictetus is well known, that in commiserating with another for his misfortune, we ought to talk consolingly, but not be moved by pity. | |
| From: report of Epictetus (The Handbook [Encheiridion] [c.58], §16) by Charles Taylor - Sources of the Self §15.1 | |
| A reaction: This goes strongly against the grain of the Christian tradition, but strikes me as an appealing attitude (even if I am the sufferer). |
| 23365 | If someone is weeping, you should sympathise and help, but not share his suffering [Epictetus] |
| Full Idea: When you see someone weeping is sorrow …do not shrink from sympathising with him, and even groaning with him, but be careful not to groan inwardly too. | |
| From: Epictetus (The Handbook [Encheiridion] [c.58], 16) | |
| A reaction: The point is that the person's suffering is an 'indifferent' because nothing can be done about it, and we should only really care about what we are able to choose. He is not opposed to the man's suffering, or his need for support. |
| 23368 | Perhaps we should persuade culprits that their punishment is just? [Epictetus] |
| Full Idea: The governor Agrippinus would try to persuade those whom he sentenced that it was proper for them to be sentenced, …just as the physician persuades a patient to accept their treatment. | |
| From: Epictetus (The Handbook [Encheiridion] [c.58], 22) | |
| A reaction: This resembles the Contractualism of T.H. Scanlon (that actions are good if you can justify them to those involved). It may be possible to persuade people by the use of sophistry and lies. Nevertheless, a fairly civilise proposal. |