9 ideas
8732 | It is spooky the way mathematics anticipates physics [Weinberg] |
Full Idea: It is positively spooky how the physicist finds the mathematician has been there before him or her. | |
From: Steven Weinberg (Lecture on Applicability of Mathematics [1986], p.725), quoted by Stewart Shapiro - Thinking About Mathematics 2.3 | |
A reaction: This suggests that mathematics might be the study of possibilities or hypotheticals, like mental rehearsals for physics. See Hellman's modal structuralism. Maybe mathematicians are reading the mind of God, but I doubt that. |
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
From: Gary Kemp (Croce and Collingwood [2012], 1) | |
A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
From: Gary Kemp (Croce and Collingwood [2012], 1) | |
A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
From: Gary Kemp (Croce and Collingwood [2012], 1) | |
A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
23366 | We see nature's will in the ways all people are the same [Epictetus] |
Full Idea: The will of nature may be learned from those things in which we do not differ from one another. | |
From: Epictetus (The Handbook [Encheiridion] [c.58], 26) | |
A reaction: There you go! This is the rule for anthropologists on field trips. And it guides us towards a core of essential human nature. But it neglects the way that nature is expressed in different cultures, which is also important. |
4022 | Epictetus says we should console others for misfortune, but not be moved by pity [Epictetus, by Taylor,C] |
Full Idea: The injunction of Epictetus is well known, that in commiserating with another for his misfortune, we ought to talk consolingly, but not be moved by pity. | |
From: report of Epictetus (The Handbook [Encheiridion] [c.58], §16) by Charles Taylor - Sources of the Self §15.1 | |
A reaction: This goes strongly against the grain of the Christian tradition, but strikes me as an appealing attitude (even if I am the sufferer). |
23365 | If someone is weeping, you should sympathise and help, but not share his suffering [Epictetus] |
Full Idea: When you see someone weeping is sorrow …do not shrink from sympathising with him, and even groaning with him, but be careful not to groan inwardly too. | |
From: Epictetus (The Handbook [Encheiridion] [c.58], 16) | |
A reaction: The point is that the person's suffering is an 'indifferent' because nothing can be done about it, and we should only really care about what we are able to choose. He is not opposed to the man's suffering, or his need for support. |
23368 | Perhaps we should persuade culprits that their punishment is just? [Epictetus] |
Full Idea: The governor Agrippinus would try to persuade those whom he sentenced that it was proper for them to be sentenced, …just as the physician persuades a patient to accept their treatment. | |
From: Epictetus (The Handbook [Encheiridion] [c.58], 22) | |
A reaction: This resembles the Contractualism of T.H. Scanlon (that actions are good if you can justify them to those involved). It may be possible to persuade people by the use of sophistry and lies. Nevertheless, a fairly civilise proposal. |