12 ideas
| 6253 | Reason is our power of finding out true propositions [Hutcheson] |
| Full Idea: Reason is our power of finding out true propositions. | |
| From: Francis Hutcheson (Treatise 4: The Moral Sense [1728], §I) | |
| A reaction: This strikes me as a very good definition. I don't see how you can define reason without mentioning truth, and you can't believe in reason if you don't believe in truth. The concept of reason entails the concept of a good reason. |
| 6343 | For Russell, both propositions and facts are arrangements of objects, so obviously they correspond [Horwich on Russell] |
| Full Idea: Given Russell's notion of a proposition, as an arrangement of objects and properties, it is hard to see how there could be any difference at all between such a proposition and the fact corresponding to it, since they each involve the same arrangement. | |
| From: comment on Bertrand Russell (On the Nature of Truth and Falsehood [1910]) by Paul Horwich - Truth (2nd edn) Ch.7.35 | |
| A reaction: This seems a little unfair, given that Russell (in 1912) uses the notion now referred to as 'congruence', so that the correspondence is not in the objects and properties, but in how they are 'ordered', which may differ between proposition and fact. |
| 7534 | In 1906, Russell decided that propositions did not, after all, exist [Russell, by Monk] |
| Full Idea: With a characteristic readiness to abandon views that he had previously considered definitively correct, Russell declared in 1906 that there were, after all, no such 'things' as propositions. It is judgements that are true or false. | |
| From: report of Bertrand Russell (On the Nature of Truth and Falsehood [1910]) by Ray Monk - Bertrand Russell: Spirit of Solitude Ch.6 | |
| A reaction: Written 1906. Russell developed a 'multiple relation theory of judgement'. But if a judgement is an assessment of truth or falsehood, what is it that is being assessed? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 6256 | Can't the moral sense make mistakes, as the other senses do? [Hutcheson] |
| Full Idea: Can there not be a right and wrong state of our moral sense, as there is in our other senses? | |
| From: Francis Hutcheson (Treatise 4: The Moral Sense [1728], §IV) | |
| A reaction: Hutcheson replies by saying something like they are both fully reliable in normal conditions. It remains, though, a very good question for the intuitionist to face, as the moral sense is supposed to be direct and reliable, but how do you check? |
| 6252 | Happiness is a pleasant sensation, or continued state of such sensations [Hutcheson] |
| Full Idea: In the following discourse, happiness denotes pleasant sensation of any kind, or continued state of such sensations. | |
| From: Francis Hutcheson (Treatise 4: The Moral Sense [1728], Intro) | |
| A reaction: This is a very long way from Greek eudaimonia. Hutcheson seems to imply that I would be happy if I got high on drugs after my family had just burnt to death. Socrates points out that scratching an itch is a very pleasant sensation (Idea 132). |
| 6257 | You can't form moral rules without an end, which needs feelings and a moral sense [Hutcheson] |
| Full Idea: What rule of actions can be formed, without relation to some end proposed? Or what end can be proposed, without presupposing instincts, desires, affections, or a moral sense, it will not be easy to explain. | |
| From: Francis Hutcheson (Treatise 4: The Moral Sense [1728], §IV) | |
| A reaction: We have no reason to think that 'instincts, desires and affections' will give us the remotest guidance on how to behave morally well (though we would expect them to aid our survival). How could a moral sense give a reason, without spotting a rule? |
| 6254 | We are asked to follow God's ends because he is our benefactor, but why must we do that? [Hutcheson] |
| Full Idea: The reasons assigned for actions are such as 'It is the end proposed by the Deity'. But why do we approve concurring with the divine ends? The reason is given 'He is our benefactor', but then, for what reason do we approve concurrence with a benefactor? | |
| From: Francis Hutcheson (Treatise 4: The Moral Sense [1728], §I) | |
| A reaction: Characteristic of what MacIntyre calls the 'Enlightenment Project', which is the application of Cartesian scepticism to proving the foundations of morals. Proof beyond proof is continually demanded. If you could meet God, you would obey without question. |
| 6255 | Why may God not have a superior moral sense very similar to ours? [Hutcheson] |
| Full Idea: Why may not the Deity have something of a superior kind, analogous to our moral sense, essential to him? | |
| From: Francis Hutcheson (Treatise 4: The Moral Sense [1728], §I) | |
| A reaction: This is Plato's notion of the gods, as beings who are profoundly wise, and understand all the great moral truths, but are not the actual originators of those truths. The idea that God creates morality actually serves to undermine morality. |