13 ideas
| 10476 | The idea that groups of concepts could be 'implicitly defined' was abandoned [Hodges,W] |
| Full Idea: Late nineteenth century mathematicians said that, although plus, minus and 0 could not be precisely defined, they could be partially 'implicitly defined' as a group. This nonsense was rejected by Frege and others, as expressed in Russell 1903. | |
| From: Wilfrid Hodges (Model Theory [2005], 2) | |
| A reaction: [compressed] This is helpful in understanding what is going on in Frege's 'Grundlagen'. I won't challenge Hodges's claim that such definitions are nonsense, but there is a case for understanding groups of concepts together. |
| 10478 | Since first-order languages are complete, |= and |- have the same meaning [Hodges,W] |
| Full Idea: In first-order languages the completeness theorem tells us that T |= φ holds if and only if there is a proof of φ from T (T |- φ). Since the two symbols express the same relationship, theorist often just use |- (but only for first-order!). | |
| From: Wilfrid Hodges (Model Theory [2005], 3) | |
| A reaction: [actually no spaces in the symbols] If you are going to study this kind of theory of logic, the first thing you need to do is sort out these symbols, which isn't easy! |
| 10477 | |= in model-theory means 'logical consequence' - it holds in all models [Hodges,W] |
| Full Idea: If every structure which is a model of a set of sentences T is also a model of one of its sentences φ, then this is known as the model-theoretic consequence relation, and is written T |= φ. Not to be confused with |= meaning 'satisfies'. | |
| From: Wilfrid Hodges (Model Theory [2005], 3) | |
| A reaction: See also Idea 10474, which gives the other meaning of |=, as 'satisfies'. The symbol is ALSO used in propositional logical, to mean 'tautologically implies'! Sort your act out, logicians. |
| 13832 | Natural deduction shows the heart of reasoning (and sequent calculus is just a tool) [Gentzen, by Hacking] |
| Full Idea: Gentzen thought that his natural deduction gets at the heart of logical reasoning, and used the sequent calculus only as a convenient tool for proving his chief results. | |
| From: report of Gerhard Gentzen (Investigations into Logical Deduction [1935]) by Ian Hacking - What is Logic? §05 |
| 10474 | |= should be read as 'is a model for' or 'satisfies' [Hodges,W] |
| Full Idea: The symbol in 'I |= S' reads that if the interpretation I (about word meaning) happens to make the sentence S state something true, then I 'is a model for' S, or I 'satisfies' S. | |
| From: Wilfrid Hodges (Model Theory [2005], 1) | |
| A reaction: Unfortunately this is not the only reading of the symbol |= [no space between | and =!], so care and familiarity are needed, but this is how to read it when dealing with models. See also Idea 10477. |
| 10475 | A 'structure' is an interpretation specifying objects and classes of quantification [Hodges,W] |
| Full Idea: A 'structure' in model theory is an interpretation which explains what objects some expressions refer to, and what classes some quantifiers range over. | |
| From: Wilfrid Hodges (Model Theory [2005], 1) | |
| A reaction: He cites as examples 'first-order structures' used in mathematical model theory, and 'Kripke structures' used in model theory for modal logic. A structure is also called a 'universe'. |
| 10473 | Model theory studies formal or natural language-interpretation using set-theory [Hodges,W] |
| Full Idea: Model theory is the study of the interpretation of any language, formal or natural, by means of set-theoretic structures, with Tarski's truth definition as a paradigm. | |
| From: Wilfrid Hodges (Model Theory [2005], Intro) | |
| A reaction: My attention is caught by the fact that natural languages are included. Might we say that science is model theory for English? That sounds like Quine's persistent message. |
| 10481 | Models in model theory are structures, not sets of descriptions [Hodges,W] |
| Full Idea: The models in model-theory are structures, but there is also a common use of 'model' to mean a formal theory which describes and explains a phenomenon, or plans to build it. | |
| From: Wilfrid Hodges (Model Theory [2005], 5) | |
| A reaction: Hodges is not at all clear here, but the idea seems to be that model-theory offers a set of objects and rules, where the common usage offers a set of descriptions. Model-theory needs homomorphisms to connect models to things, |
| 10480 | First-order logic can't discriminate between one infinite cardinal and another [Hodges,W] |
| Full Idea: First-order logic is hopeless for discriminating between one infinite cardinal and another. | |
| From: Wilfrid Hodges (Model Theory [2005], 4) | |
| A reaction: This seems rather significant, since mathematics largely relies on first-order logic for its metatheory. Personally I'm tempted to Ockham's Razor out all these super-infinities, but mathematicians seem to make use of them. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |