20417
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Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
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Full Idea:
Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
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From:
Gary Kemp (Croce and Collingwood [2012], 1)
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A reaction:
I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
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15877
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The aim of science is just to create a comprehensive, elegant language to describe brute facts [Poincaré, by Harré]
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Full Idea:
In Poincaré's view, we try to construct a language within which the brute facts of experience are expressed as comprehensively and as elegantly as possible. The job of science is the forging of a language precisely suited to that purpose.
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From:
report of Henri Poincaré (The Value of Science [1906], Pt III) by Rom Harré - Laws of Nature 2
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A reaction:
I'm often struck by how obscure and difficult our accounts of self-evident facts can be. Chairs are easy, and the metaphysics of chairs is hideous. Why is that? I'm a robust realist, but I like Poincaré's idea. He permits facts.
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19414
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Men are related to animals, which are related to plants, then to fossils, and then to the apparently inert [Leibniz]
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Full Idea:
Men are related to animals, these to plants, and the latter directly to fossils which will be linked in their turn to bodies which the senses and the imagination represent to us as perfectly dead and formless.
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From:
Gottfried Leibniz (Letters to Varignon [1702], 1702)
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A reaction:
Leibniz would be a bit surprised to find the way in which this has turned out to be largely true, since he is basing it on his picture of a hierarchy of monads. Nevertheless, the idea that we are all related wasn't invented in 1859.
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