8 ideas
| 3663 | How can you contemplate Platonic entities without causal transactions with them? [Putnam] |
| Full Idea: Platonism has the attendant problem of how we can succeed in thinking about and referring to entities we can have no causal transactions with. | |
| From: Hilary Putnam (Phil of Mathematics: why nothing works [1979], Modalism) |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20595 | You can't distribute goods from behind a veil, because their social meaning is unclear [Walzer, by Tuckness/Wolf] |
| Full Idea: Walzer says behind the veil of ignorance there would be no way to know how a particular good should be distributed, because we would not know the social meaning of the good in question. | |
| From: report of Michael Walzer (Spheres of Justice [1983]) by Tuckness,A/Wolf,C - This is Political Philosophy 4 'Communitarian' | |
| A reaction: Is Rawls actually proposing to decide details of distribution from behind the veil? There is just the maximin principle. What that means in practice would surely come once the society was under way. |
| 20592 | Complex equality restricts equalities from spilling over, like money influencing politics and law [Walzer, by Tuckness/Wolf] |
| Full Idea: Complex equality tries to keep advantages in one area (such as money) from translating into advantages in politics or before the law. | |
| From: report of Michael Walzer (Spheres of Justice [1983]) by Tuckness,A/Wolf,C - This is Political Philosophy 3 'Complex' | |
| A reaction: Put like that, Walzer's complex equality becomes very interesting, and pinpoints a major problem of our age, where discrepancies of wealth have become staggeringly large at the top end. |
| 20549 | Equality is complex, with different spheres of equality where different principles apply [Walzer, by Swift] |
| Full Idea: Michael Walzer argues for 'complex equality', saying different goods belong to different distributive 'spheres', each with its own distributive principles. | |
| From: report of Michael Walzer (Spheres of Justice [1983]) by Adam Swift - Political Philosophy (3rd ed) 3 'Egalitarian' | |
| A reaction: Sounds interesting. Equality seems to make different demands when it concerns basic food for survival, or fine wines. You can spend your money freely, but hording in a crisis is frowned on. |