16 ideas
| 8996 | If if time is money then if time is not money then time is money then if if if time is not money... [Quine] |
| Full Idea: If if time is money then if time is not money then time is money then if if if time is not money then time is money then time is money then if time is money then time is money. | |
| From: Willard Quine (Truth by Convention [1935], p.95) | |
| A reaction: Quine offers this with no hint of a smile. I reproduce it for the benefit of people who hate analytic philosophy, and get tired of continental philosophy being attacked for its obscurity. |
| 8995 | Definition by words is determinate but relative; fixing contexts could make it absolute [Quine] |
| Full Idea: A definition endows a word with complete determinacy of meaning relative to other words. But we could determine the meaning of a new word absolutely by specifying contexts which are to be true and contexts which are to be false. | |
| From: Willard Quine (Truth by Convention [1935], p.89) | |
| A reaction: This is the beginning of Quine's distinction between the interior of 'the web' and its edges. The attack on the analytic/synthetic distinction will break down the boundary between the two. Surprising to find 'absolute' anywhere in Quine. |
| 10064 | Quine quickly dismisses If-thenism [Quine, by Musgrave] |
| Full Idea: Quine quickly dismisses If-thenism. | |
| From: report of Willard Quine (Truth by Convention [1935], p.327) by Alan Musgrave - Logicism Revisited §5 | |
| A reaction: [Musgrave quotes a long chunk of Quine which is hard to compress!] Effectively, he says If-thenism is cheating, or begs the question, by eliminating whole sections of perfectly good mathematics, because they cannot be derived from axioms. |
| 20296 | Logic needs general conventions, but that needs logic to apply them to individual cases [Quine, by Rey] |
| Full Idea: Quine argues that logic could not be established by conventions, since the logical truths, being infinite in number, must be given by general conventions rather than singly; and logic is needed in the meta-theory, to apply to individual cases. | |
| From: report of Willard Quine (Truth by Convention [1935]) by Georges Rey - The Analytic/Synthetic Distinction 3.4 | |
| A reaction: A helpful insight into Quine's claim. If only someone would print these one sentence summaries at the top of classic papers, we would all get far more out of them at first reading. Assuming Rey is right! |
| 8998 | Claims that logic and mathematics are conventional are either empty, uninteresting, or false [Quine] |
| Full Idea: If logic and mathematics being true by convention says the primitives can be conventionally described, that works for anything, and is empty; if the conventions are only for those fields, that's uninteresting; if a general practice, that is false. | |
| From: Willard Quine (Truth by Convention [1935], p.102) | |
| A reaction: This is Quine's famous denial of the traditional platonist view, and the new Wittgensteinian conventional view, preparing the ground for a more naturalistic and empirical view. I feel more sympathy with Quine than with the other two. |
| 8999 | Logic isn't conventional, because logic is needed to infer logic from conventions [Quine] |
| Full Idea: If logic is to proceed mediately from conventions, logic is needed for inferring logic from the conventions. Conventions for adopting logical primitives can only be communicated by free use of those very idioms. | |
| From: Willard Quine (Truth by Convention [1935], p.104) | |
| A reaction: A common pattern of modern argument, which always seems to imply that nothing can ever get off the ground. I suspect that there are far more benign circles in the world of thought than most philosophers imagine. |
| 9000 | If a convention cannot be communicated until after its adoption, what is its role? [Quine] |
| Full Idea: When a convention is incapable of being communicated until after its adoption, its role is not clear. | |
| From: Willard Quine (Truth by Convention [1935], p.106) | |
| A reaction: Quine is discussing the basis of logic, but the point applies to morality - that if there is said to be a convention at work, the concepts of morality must already exist to get the conventional framework off the ground. What is it that comes first? |
| 8994 | If analytic geometry identifies figures with arithmetical relations, logicism can include geometry [Quine] |
| Full Idea: Geometry can be brought into line with logicism simply by identifying figures with arithmetical relations with which they are correlated thought analytic geometry. | |
| From: Willard Quine (Truth by Convention [1935], p.87) | |
| A reaction: Geometry was effectively reduced to arithmetic by Descartes and Fermat, so this seems right. You wonder, though, whether something isn't missing if you treat geometry as a set of equations. There is more on the screen than what's in the software. |
| 8997 | There are four different possible conventional accounts of geometry [Quine] |
| Full Idea: We can construe geometry by 1) identifying it with algebra, which is then defined on the basis of logic; 2) treating it as hypothetical statements; 3) defining it contextually; or 4) making it true by fiat, without making it part of logic. | |
| From: Willard Quine (Truth by Convention [1935], p.99) | |
| A reaction: [Very compressed] I'm not sure how different 3 is from 2. These are all ways to treat geometry conventionally. You could be more traditional, and say that it is a description of actual space, but the multitude of modern geometries seems against this. |
| 8993 | If mathematics follows from definitions, then it is conventional, and part of logic [Quine] |
| Full Idea: To claim that mathematical truths are conventional in the sense of following logically from definitions is the claim that mathematics is a part of logic. | |
| From: Willard Quine (Truth by Convention [1935], p.79) | |
| A reaction: Quine is about to attack logic as convention, so he is endorsing the logicist programme (despite his awareness of Gödel), but resisting the full Wittgenstein conventionalist picture. |
| 15785 | Our commitments are to an 'ontology', but also to an 'ideology', or conceptual system [Hintikka] |
| Full Idea: We must distinguish between what we are committed to existing in the actual world or a possible world ('ontology'), and what we are committed to as a part of our ways of dealing with the world conceptually, as a part of our conceptual system ('ideology'). | |
| From: Jaakko Hintikka (Semantics for Propositional Attitudes [1969], p.95), quoted by William Lycan - The Trouble with Possible Worlds 02 | |
| A reaction: I think this is the most illuminating idea I have read on the subject of ontological commitment. I'm fighting for the idea that what we think is true should be kept separate from what we think exists. Ideology is a nice addition to the mix. |
| 15786 | Commitment to possible worlds is part of our ideology, not part of our ontology [Hintikka] |
| Full Idea: Quantification over members of one particular world is a measure of ideology, quantification that crosses possible worlds is often a measure of ideology. | |
| From: Jaakko Hintikka (Semantics for Propositional Attitudes [1969], p.95), quoted by William Lycan - The Trouble with Possible Worlds 02 | |
| A reaction: I like this. See Idea 15785 for the underlying distinction. It leaves the question open of what we might mean by 'ideological commitment'. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |