9 ideas
| 22480 | Possessing the virtue of justice disposes a person to good practical rationality [Foot] |
| Full Idea: If justice is a virtue it must make action good by disposing its possessor to goodness in practical rationality; the latter consisting of the right recognition of reasons, and corresponding action. | |
| From: Philippa Foot (Rationality and Virtue [1994], p.174) | |
| A reaction: This somewhat inverts Aristotle, who says the possessing of good practical reason is the key to acquiring the virtues. Foot suggests that possessing the virtue promotes the practical rationality. Someone can be sensible without being virtuous. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 22477 | Calling a knife or farmer or speech or root good does not involve attitudes or feelings [Foot] |
| Full Idea: No one thinks that calling a knife a good knife, a farmer a good farmer, a speech a good speech, a root a good root, necessarily expresses or even involves an attitude or feeling towards it. | |
| From: Philippa Foot (Rationality and Virtue [1994], p.163) | |
| A reaction: This is the Aristotelian idea (which I favour) that good derives from function. In such a case it seems obvious that it has nothing to do with expressing emotions. |
| 22478 | The essential thing is the 'needs' of plants and animals, and their operative parts [Foot] |
| Full Idea: The key notion is the concept of need, …as when we say what a plant or animal of a certain species needs to have, …and what its operative features, such roots, leaves, hearts and lungs, need to do. | |
| From: Philippa Foot (Rationality and Virtue [1994], p.164) | |
| A reaction: Good. That takes it away from the idea of a function, which could be possessed by an inanimate machine (even though that still entails success and failure). Strictly, we need oxygen, but the goodness resides in the lungs. |
| 22479 | Observing justice is necessary to humans, like hunting to wolves or dancing to bees [Foot] |
| Full Idea: The teaching and observing of the rules of justice is as necessary a part of the life of human beings as hunting together in packs with a leader is a necessary part of the lives of wolves, or dancing part of the life of the dancing bee. | |
| From: Philippa Foot (Rationality and Virtue [1994], p.168) | |
| A reaction: So why are some men unjust? All wolves hunt, and all appropriate bees dance. A few men even thrive on injustice. |
| 20713 | God must be fit for worship, but worship abandons morally autonomy, but there is no God [Rachels, by Davies,B] |
| Full Idea: Rachels argues 1) If any being is God, he must be a fitting object of worship, 2) No being could be a fitting object of worship, since worship requires the abandonment of one's role as an autonomous moral agent, so 3) There cannot be a being who is God. | |
| From: report of James Rachels (God and Human Attributes [1971], 7 p.334) by Brian Davies - Introduction to the Philosophy of Religion 9 'd morality' | |
| A reaction: Presumably Lionel Messi can be a fitting object of worship without being God. Since the problem is with being worshipful, rather than with being God, should I infer that Messi doesn't exist? |