7 ideas
| 15312 | We get the idea of power by abstracting from ropes, magnets and electric shocks [Priestley] |
| Full Idea: A rope sustains weight, a magnet attracts iron, a charged electrical jar gives a shock, and from these and other similar observations, we get the idea of power, universally and abstractly considered. | |
| From: Joseph Priestley (Theological and other works [1790], p.191), quoted by Harré,R./Madden,E.H. - Causal Powers 9.II.B | |
| A reaction: I agree with this, in that we appear to be observing powers directly, and are not observing something which can then be reduced to non-powers. Nature just can't be a set of inert structures, with forces 'imposed' on them. |
| 16463 | Adams says actual things have haecceities, but not things that only might exist [Adams,RM, by Stalnaker] |
| Full Idea: Adams favours haecceitism about actual things but no haecceities for things that might exist but don't. | |
| From: report of Robert Merrihew Adams (Actualism and Thisness [1981]) by Robert C. Stalnaker - Mere Possibilities 4.2 | |
| A reaction: This contrasts with Plantinga, who proposes necessary essences for everything, even for what might exist. Plantinga sounds crazy to me, Adams merely interesting but not too plausible. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 15311 | Attraction or repulsion are not imparted to matter, but actually constitute it [Priestley] |
| Full Idea: Attraction or repulsion appear to me not to be properly what is imparted to matter, but what really makes it what it is, in so much that, without it, it would be nothing at all. | |
| From: Joseph Priestley (Theological and other works [1790], p.237), quoted by Harré,R./Madden,E.H. - Causal Powers 9.II.B | |
| A reaction: This is music to the ears of anyone who thinks that powers are the fundamentals of nature (like me). |