8 ideas
| 10365 | We might use 'facta' to refer to the truth-makers for facts [Mellor, by Schaffer,J] |
| Full Idea: Mellor offers a distinction between 'facts' and 'facta' (the latter being the truth-makers for facts). | |
| From: report of D.H. Mellor (The Facts of Causation [1995]) by Jonathan Schaffer - The Metaphysics of Causation 1.1 | |
| A reaction: The idea is that 'facta' can do the work in causation, because 'facts' are not part of the world. This seems a very helpful terminology, which should be encouraged, since 'fact' is plainly ambiguous in current usage. |
| 16209 | How can point-duration slices of people have beliefs or desires? [Thomson] |
| Full Idea: Can one really think that point-duration temporal slices of bodies believe things or want things? | |
| From: Judith (Jarvis) Thomson (People and Their Bodies [1997], p.211), quoted by Katherine Hawley - How Things Persist 2.9 n21 | |
| A reaction: There is a problem with a slice doing anything long-term. The bottom line is that things are said to 'endure', but that is precisely what time-slices are unable to do. Hawley rejects this idea. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 4785 | Causal statements relate facts (which are whatever true propositions express) [Mellor, by Psillos] |
| Full Idea: Mellor argues that causal statements relate facts, where facts may be seen as whatever true propositions express. | |
| From: report of D.H. Mellor (The Facts of Causation [1995]) by Stathis Psillos - Causation and Explanation §2.6 | |
| A reaction: Choose between 'facts', 'objects', 'conserved quantities, 'events' (the usual one) or 'processes'. I rather like processes (Salmon) as they are a better prospect as the building blocks of an ontology. |
| 8408 | Probabilistic causation says C is a cause of E if it increases the chances of E occurring [Mellor, by Tooley] |
| Full Idea: The basic idea of probabilistic causation is that a sufficient condition of C's being a cause of E is that C and E are actual, individual events, and the objective chance of E's occurring is greater given the occurrence of C than it would be without C. | |
| From: report of D.H. Mellor (The Facts of Causation [1995]) by Michael Tooley - Causation and Supervenience 5.3 | |
| A reaction: Mellor has to include objective 'chances' in his ontology to support his theory. As it stands this looks like a weak theory, since the event might not occur despite C happening, and some less likely event might turn out to be the actual cause. |