9 ideas
| 10882 | Predicative definitions only refer to entities outside the defined collection [Horsten] |
| Full Idea: Definitions are called 'predicative', and are considered sound, if they only refer to entities which exist independently from the defined collection. | |
| From: Leon Horsten (Philosophy of Mathematics [2007], §2.4) |
| 10884 | A theory is 'categorical' if it has just one model up to isomorphism [Horsten] |
| Full Idea: If a theory has, up to isomorphism, exactly one model, then it is said to be 'categorical'. | |
| From: Leon Horsten (Philosophy of Mathematics [2007], §5.2) |
| 10885 | Computer proofs don't provide explanations [Horsten] |
| Full Idea: Mathematicians are uncomfortable with computerised proofs because a 'good' proof should do more than convince us that a certain statement is true. It should also explain why the statement in question holds. | |
| From: Leon Horsten (Philosophy of Mathematics [2007], §5.3) |
| 10881 | The concept of 'ordinal number' is set-theoretic, not arithmetical [Horsten] |
| Full Idea: The notion of an ordinal number is a set-theoretic, and hence non-arithmetical, concept. | |
| From: Leon Horsten (Philosophy of Mathematics [2007], §2.3) |
| 22013 | Subjects distinguish representations, as related both to subject and object [Reinhold] |
| Full Idea: In consciousness the subject distinguishes the representation from the subject and object, and relates it to both. | |
| From: Karl Leonhard Reinhold (Foundations of Philosophical Knowledge [1791], p.78), quoted by Terry Pinkard - German Philosophy 1760-1860 04 | |
| A reaction: This is a reminder that twentieth century analytic discussions of perception were largely recapitulating late Enlightenment German philosophy. This is a very good definition of sense-data. I can think about my representations. Reinhold was a realist. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |