21 ideas
| 18877 | Moral realism doesn't seem to entail the existence of any things [Cameron] |
| Full Idea: Moral realism isn't realism about things, and it seems strange to suggest that moral realism is existence entailing in the way that realism about unobservable is. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Realism') | |
| A reaction: Cameron is questioning whether a realist has to believe in truthmakers. It seems to me that his doubts are because he insists that truthmaking is committed to the existence of 'things'. I assume any moral realism must supervene on nature. |
| 18868 | Surely if some propositions are grounded in existence, they all are? [Cameron] |
| Full Idea: What possible reason could one have for thinking of some propositions that they need to be grounded in what there is that doesn't apply to all propositions? | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: Well, if truthmaking said that all truths are grounded, then some could be grounded in what there is, and others in how it is, or maybe even how it isn't (if you get a decent account of negative truths). |
| 18867 | Orthodox Truthmaker applies to all propositions, and necessitates their truth [Cameron] |
| Full Idea: Orthodox truthmaker theory (Armstrong's) entails Maximalism (that every true proposition has at least one truthmaker), and Necessitarianism (that the existence of a truthmaker necessitates the truth of its proposition). | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: I think I accept both of these. If you say only some truths have truthmakers, the other truths are then baffling. And how could a truthmaker fail in its job? But that doesn't necessitate the existence of the proposition. |
| 18873 | God fixes all the truths of the world by fixing what exists [Cameron] |
| Full Idea: The truthmaker thought is that explanation only bottoms out at existence facts; for God to give a complete plan of the world He needs only make an inventory of what is to exist. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: He is defending Necessitarianism about truthmaking. I'm struggling with this. An inventory of the contents of my house doesn't begin to fix all the truths that arise from them. Why is Cameron so resistent to 'how' things are being part of the truthmaking? |
| 18879 | What the proposition says may not be its truthmaker [Cameron] |
| Full Idea: The explanation of the truth of the proposition [p] doesn't stop at it being the case that p, so it's false to claim that whenever a proposition is true it's true in virtue of the world being as the proposition says it is. The features often lie deeper. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Grounding') | |
| A reaction: [He is opposing Jennifer Hornsby 2005] Cameron offers 'the average family has 2.4 children' as a counterexample' (since no one actually has 2.4 children). That seems compelling. Second example: 'the rose is beautiful'. |
| 18880 | Rather than what exists, some claim that the truthmakers are ways of existence, dispositions, modalities etc [Cameron] |
| Full Idea: Rivals to the truthmaker claim that facts about what there is are the truthmakers, there are theories that add facts about how the things are, or add dispositional facts, or modal facts, or haecceitistic facts, or maybe moral facts. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Grounding') | |
| A reaction: [compressed] He seems to think his version has a monopoly on truthmaking, but I don't see why these other theories shouldn't count as truthmaking. The truthmaker for 'live grenades are dangerous' is not just the existence of grenades. |
| 18874 | Truthmaking doesn't require realism, because we can be anti-realist about truthmakers [Cameron] |
| Full Idea: It's definitely not sufficient to be a realist that one be a truthmaker theorist, since one can simply be anti-realist about the truthmakers. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Realism') | |
| A reaction: It is not quite clear how unreal truth makers could actually MAKE propositions true, rather than just being correlated with them. |
| 18869 | Without truthmakers, negative truths must be ungrounded [Cameron] |
| Full Idea: If negative truths don't have truthmakers then make no mistake: they are ungrounded. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: What would be the grounding for truths which expressed the necessary preconditions for all existence? Could 'nothing whatever exists' ever be a truth? |
| 18871 | I support the correspondence theory because I believe in truthmakers [Cameron] |
| Full Idea: I tend to think that the fundamental reason we can have the correspondence theory of truth is that truthmaker theory is correct. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: [This responds to Fumerton 2006, who gives the opposite view] Cameron gives himself the classic problem of spelling out the correspondence relation (perhaps as 'congruence'). I like truthmaking, but I'm unsure about correspondence. |
| 18870 | Maybe truthmaking and correspondence stand together, and are interdefinable [Cameron] |
| Full Idea: One view says truthmaker theory stands or falls with the correspondence theory of truth, because the truthmaker for p is just the portion of reality that p corresponds to: truthmaker and correspondence can be conversely defined. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: The normal view, which I prefer, is that correspondence is a particular theory of truthmaking, invoking a precise 'correspondence' relation. Hence abolishing correspondence would not abolish truthmaking, if you had a rival account. |
| 18881 | For realists it is analytic that truths are grounded in the world [Cameron] |
| Full Idea: The analytic commitment of realism is that truths are grounded in the world. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Grounding') | |
| A reaction: Certain fifth-level truths might be a long way from the actual world, and deeply interfused with human concepts and theories. Negative truths must be fitted into this picture. |
| 18875 | Realism says a discourse is true or false, and some of it is true [Cameron] |
| Full Idea: Realism about a discourse is 1) to think that the sentences are, when construed literally, literally true or false, and 2) to think that some of the sentences of the discourse are non-vacuously true. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Realism') | |
| A reaction: [Cameron adds 'non-vacuously' to an idea of Sayre-McCord 199 p.5] This is realism based on what is 'true', without specifying 'commitments', so I like it. Cameron says it makes mathematical postulationists into realists. He likes 'mind-independent'. |
| 18878 | Realism says truths rest on mind-independent reality; truthmaking theories are about which features [Cameron] |
| Full Idea: All that is necessary for realism, I claim, is that truth is grounded in mind-independent features of fundamental reality. Truthmaker theory comes into play because it is a theory about what those features are (…so it isn't a commitment to realism). | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Realism') | |
| A reaction: [He cites Michael Devitt for this approach] What is the word 'fundamental' doing here? Because the mind-dependent parts of reality are considered non-fundamental? The no-true-Scotsman-hates-whisky move? His truthmaking is committed to 'things'. |
| 6900 | A prior understanding of beauty is needed to assert that the Form of the Beautiful is beautiful [Westaway] |
| Full Idea: If it were asserted that the Form of the Beautiful was itself beautiful, such a statement would require a prior understanding of the concept of beauty, so would immediately lead to an infinite regress, so the Forms can't be self-predicating. | |
| From: Luke Westaway (talk [2005]), quoted by PG - Db (ideas) | |
| A reaction: This is a nice clear statement of the mess that Plato gets himself into if he wants the Forms to be self-predicating. Clearly the Form of the Beautiful can't be beautiful, but must be that which gives other things their beauty. |
| 6956 | At what point does an object become 'whole'? [Westaway] |
| Full Idea: At what point does an object become 'whole'? | |
| From: Luke Westaway (talk [2005]), quoted by PG - Db (ideas) | |
| A reaction: This nice question strikes me as the central one in mereology. It is tempting to reply that the matter is entirely conventional, but there seems an obvious fact about something missing if one piece is absent from a jigsaw, or a cube is chipped. |
| 18872 | We should reject distinct but indiscernible worlds [Cameron] |
| Full Idea: I think we should reject distinct but indiscernible worlds. | |
| From: Ross P. Cameron (Truthmakers, Realism and Ontology [2008], 'Max and Nec') | |
| A reaction: An interesting passing remark. Presumably there would be unknowable truths about such worlds, which wouldn't bother a full-blooded realist. Indiscernible to whom? Me? Humanity? A divine mind? |
| 7335 | The Chinese Room should be able to ask itself questions in Mandarin [Westaway] |
| Full Idea: If the Chinese Room is functionally equivalent to a Mandarin speaker, it ought to be able to ask itself questions in Mandarin (and it can't). | |
| From: Luke Westaway (talk [2005]), quoted by PG - Db (ideas) | |
| A reaction: Searle might triumphantly say that this proves there is no understanding in the room, but the objection won't go away, because the room is presumably functionally equivalent to a speaker, and not just a mere translator (who might use mechanical tricks). |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |