15 ideas
| 22438 | Philosophy is largely concerned with finding the minimum that science could get by with [Quine] |
| Full Idea: Philosophy is in large part concerned with ...what science could get along with, could be reconstructed by means of, as distinct from what science has historically made us of. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], V) | |
| A reaction: This nicely summarises the programme for the whole of the philosophy of David Lewis, who was Quine's pupil. If you start by asking what it could 'get by with', it is not surprising that simplicity is the top intellectual virtue for both of them. |
| 22436 | Logicians don't paraphrase logic into language, because they think in the symbolic language [Quine] |
| Full Idea: The logician does not even need to paraphrase the vernacular into his logical notation, for he has learned to think directly in his logical notation, or even (which is the beauty of the thing) to let it think for him. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], V) | |
| A reaction: See Williamson's love of logic (and his book on modal metaphysics). This idea embodies the dream of hardcore Frege-Russellian analytic philosophers. I wish someone had told me when I studied logic that the target was to actually think symbolically. |
| 22431 | Good algorithms and theories need many occurrences of just a few elements [Quine] |
| Full Idea: The power and simplicity of an algorithm, or indeed of any theory, depend on there being many occurrences of few elements rather than few occurrences of many. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], III) | |
| A reaction: Not sure how this applies to a software function. One which produces a good result from a large number of input variables sounds particularly impressive to me. Many occurrences of a single variable sounds rather inefficient. |
| 22435 | The logician's '→' does not mean the English if-then [Quine] |
| Full Idea: The logician drops 'if-then' in favour of '→' without ever entertaining the mistaken idea that they are synonymous. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], V) | |
| A reaction: [Quine uses the older horseshoe symbol] The conditional in English is not well understood, whereas the symbol is unambiguous. A warning to myself, since I have a tendency to translate symbols into English all the time. [p.156 'implies' is worse!] |
| 22433 | It is important that the quantification over temporal entities is timeless [Quine] |
| Full Idea: It would be hard to exaggerate the importance of recognising the timelessness of quantification over temporal entities. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], IV) | |
| A reaction: 'Some moments in this cricket match were crucial'. The domain is not timeless, but consists of moments in this match. Can you say the quantifier is timeless but its domain is not? Only in the sense that 'very' is a timeless word, I think. |
| 22437 | Logical languages are rooted in ordinary language, and that connection must be kept [Quine] |
| Full Idea: A logical language is not independent of ordinary language. It has its roots in ordinary language, and these roots are not to be severed. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], V) | |
| A reaction: Music to my ears. When you study logic, no one has to teach you what the words 'or' and 'if-then' mean, but they are disambiguated by the symbolism. The roots of logic are in ordinary talk of 'and', 'or' and 'not', which is the real world. |
| 22434 | Reduction to logical forms first simplifies idioms and grammar, then finds a single reading of it [Quine] |
| Full Idea: Ordinary language is reduced to logical form in two ways: reduction of the variety of idioms and grammatical constructions, and reduction of each surviving idiom to one fixed and convenient interpretation. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], V) | |
| A reaction: Is there a conflict between a 'fixed' and a 'convenient' result? By 'fixed' I suppose he means it is a commitment (to not waver). What is the logical form of a sentence which is deliberately ambiguous? |
| 18946 | Unreflectively, we all assume there are nonexistents, and we can refer to them [Reimer] |
| Full Idea: As speakers of the language, we unreflectively assume that there are nonexistents, and that reference to them is possible. | |
| From: Marga Reimer (The Problem of Empty Names [2001], p.499), quoted by Sarah Sawyer - Empty Names 4 | |
| A reaction: Sarah Swoyer quotes this as a good solution to the problem of empty names, and I like it. It introduces a two-tier picture of our understanding of the world, as 'unreflective' and 'reflective', but that seems good. We accept numbers 'unreflectively'. |
| 22432 | Normally conditionals have no truth value; it is the consequent which has a conditional truth value [Quine] |
| Full Idea: Ordinarily the conditional is not thought of as true or false at all, but rather the consequent is thought of as conditionally true or false given the antecedent. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], III) | |
| A reaction: At first this seems obvious, but a conditional asserts a relationship between two propositions, and so presumably it is true if that relationship exists. 'Is it actually true that if it is Monday then everyone in the office is depressed?'. |
| 22430 | If we understand a statement, we know the circumstances of its truth [Quine] |
| Full Idea: We understand under what circumstances to say of any given statement that it is true, just as clearly as we understand the statement itself. | |
| From: Willard Quine (Mr Strawson on Logical Theory [1953], II) | |
| A reaction: This probably shouldn't be taken as a theory of meaning (in which Quine doesn't really believe) but as a plausible statement of correlated facts. Hypothetical assertions might be a problem case. 'If only I could be in two places at once'? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 13713 | Quine holds time to be 'space-like': past objects are as real as spatially remote ones [Quine, by Sider] |
| Full Idea: Quine's view is that time is 'space-like'. Past objects are as real as present ones; they're just temporally distant, just as spatially distant objects are just as real as the ones around here. | |
| From: report of Willard Quine (Mr Strawson on Logical Theory [1953]) by Theodore Sider - Logic for Philosophy 7.3.1 | |
| A reaction: Something is a wrong with a view that says that a long-dead person is just as real as one currently living. Death is rather more than travelling to a distant place. Arthur Prior responded to Quine by saying 'tense operators' are inescapable. |