7 ideas
| 23226 | There is a single mouse neuron which has 862 inputs and 626 outputs [Cobb] |
| Full Idea: Researchers have recently described a single inhibitory neuron in a region called the visual thalamus of the mouse - it has 862 input synapses and 626 output synapses. | |
| From: Matthew Cobb (The Idea of the Brain [2020], 11) | |
| A reaction: This is the kind of fact which philosophers of mind must be aware of when offering accounts of thought which are in danger of being simplistic. |
| 23216 | The brain is not passive, and merely processing inputs; it is active, and intervenes in the world [Cobb] |
| Full Idea: A number of scientists are now realising that, by viewing the brain as a computer that passively responds ot inputs and processes data, we forget that it is an active organ, part of the body intervening in the world. | |
| From: Matthew Cobb (The Idea of the Brain [2020], Intro) | |
| A reaction: I like any idea which reminds us that nature is intrinsically active, and not merely passive. Laws are in nature, not imposed on it. My preferred ontology, based on powers as fundamental, applies to the brain, as well as to physics. No free will needed. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 21240 | The truth about events always comes from the oppressed and disadvantaged [Sartre, by Bakewell] |
| Full Idea: Work out who is most oppressed and disadvantaged in the situation, and then adopt their version of events as the right one. If something is not true in the eyes of the least favoured, then it is not true. | |
| From: report of Jean-Paul Sartre (The Communists and Peace [1953], final part) by Sarah Bakewell - At the Existentialist Café 12 | |
| A reaction: A theory of social truth, rather than truth in general. A bit simplistic, but appealing. If you want to know the truth, ask the people involved. This is true of the Savoy Grill, as well as of homeless life. You must first care about the oppressed. |