16 ideas
| 23226 | There is a single mouse neuron which has 862 inputs and 626 outputs [Cobb] |
| Full Idea: Researchers have recently described a single inhibitory neuron in a region called the visual thalamus of the mouse - it has 862 input synapses and 626 output synapses. | |
| From: Matthew Cobb (The Idea of the Brain [2020], 11) | |
| A reaction: This is the kind of fact which philosophers of mind must be aware of when offering accounts of thought which are in danger of being simplistic. |
| 23216 | The brain is not passive, and merely processing inputs; it is active, and intervenes in the world [Cobb] |
| Full Idea: A number of scientists are now realising that, by viewing the brain as a computer that passively responds ot inputs and processes data, we forget that it is an active organ, part of the body intervening in the world. | |
| From: Matthew Cobb (The Idea of the Brain [2020], Intro) | |
| A reaction: I like any idea which reminds us that nature is intrinsically active, and not merely passive. Laws are in nature, not imposed on it. My preferred ontology, based on powers as fundamental, applies to the brain, as well as to physics. No free will needed. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 23865 | Morality would improve if people could pursue private interests [Weil] |
| Full Idea: The common run of moralists complain that man is moved by his private interest: would to heaven it were so! | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.65) | |
| A reaction: Her point is that currently people have to sacrifice their own interests to communal activities which offer dubious benefits. |
| 23866 | In oppressive societies the scope of actual control is extended by a religion of power [Weil] |
| Full Idea: Every oppressive society is cemented by a religion of power, which falsifies all social relations by enabling the powerful to command over and above what they are able to impose. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.69) | |
| A reaction: A rather acute and accurate observation, I think. Flashy cars, grand uniforms, lots of medals, rituals of deference….. Sometimes I like the order and security this brings, but Simone Weil could quickly change my view. |
| 23871 | No central authority can initiate decentralisation [Weil] |
| Full Idea: It is quite patently impossible for decentralisation to be initiated by the central authority. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.113) | |
| A reaction: This is contradicted by the creation of regional parliaments and mayors, but we see nothing beyond that. A state could crumble into small parts if there were'lots of autonomous regional groups. Easier for weird minorities to take control. |
| 23867 | After a bloody revolution the group which already had the power comes to the fore [Weil] |
| Full Idea: There is no real break in continuity after a bloody struggle for regime change; for the victory just sanctions forces that before the struggle were the decisive factor in community life, patterns which were replacing those of the declining regime. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.73) | |
| A reaction: [from Marx] I assume she has in mind the French Revolution, and perhaps the Russian Revolution, though in the latter the new bourgeois leaders also got swept away. So revolutions are not nearly as dramatic as they appear to be. |
| 23870 | Decentralisation is only possible by co-operation between strong and weak - which is absurd [Weil] |
| Full Idea: The only possibility of salvation would lie in a co-operation between weak and strong, with a view to accomplishing a progressive decentralisation of social life; but the absurdity of such an idea strikes one immediately. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.113) | |
| A reaction: I take this to be a judgement on the anarchist ideal, rather than a bit of modest devolution. The UK government set up regional parliaments. She says centralisation is remorseless. |
| 23863 | Only individual people of good will can achieve social progress [Weil] |
| Full Idea: The enlightened goodwill of men acting in an individual capacity is the only possible principle of social progress. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.57) | |
| A reaction: I identify with this. Virtually every admirable institution in a society can be traced back to the initiative of a few individuals. Every helpful technology was someone's brainwave. |
| 23869 | In the least evil societies people can think, control community life, and be autonomous [Weil] |
| Full Idea: The least evil society is that in which the general run of men are most often obliged to think while acting, have the most opportunities for exercising control over collective life as a whole, and enjoy the greatest amount of independence. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.97) | |
| A reaction: So Simone Weil was a liberal. How do you stop the most dynamic thinkers, social controllers, and exercisers of their own independence from coming to dominate the others? Only liberal institutions, such as the law and education, can do this. |
| 23861 | Marx showed that capitalist oppression, because of competition, is unstoppable [Weil] |
| Full Idea: Marx gives a first-rate account of the mechanism of capitalist oppression; but so good is it that one finds it hard to visualise how this mechanism could cease to function. …The exploitation is the competitive need to expand as rapidly as possible. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.39) | |
| A reaction: [Last bit compressed] This pinpoints the main motivation for desiring to overthrow capitalism. Resistance to that view is presumably the fear that an even worse oppression might replace it. |
| 23868 | The pleasure of completing tasks motivates just as well as the whip of slavery [Weil] |
| Full Idea: The sight of the unfinished task attracts the free man as powerfully as the over-seer's whip stimulates the slave. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.94) | |
| A reaction: This is Weil's key social idea - that freely performed productive work can be, and should be, a joy, as long as it is accompanied by respect and friendship, rather than oppression. Did this idea ever occur to a slave owner? |
| 23864 | Inequality could easily be mitigated, if it were not for the struggle for power [Weil] |
| Full Idea: Inequality could easily be mitigated by the resistance of the weak and the feeling for justice of the strong, …were it not for the intervention of a further factor, namely, the struggle for power. | |
| From: Simone Weil (Reflections on Liberty and Social Oppression [1934], p.62) | |
| A reaction: The implication is that many of 'the strong' are inclined to diminish inequality, but find themselves trapped and unable to do so, because of irresistable capitalist forces. Sounds plausible. |