8 ideas
| 22366 | There is no objectivity in social sciences - only viewpoints for selecting and organising data [Weber] |
| Full Idea: There is no absolutely objective scientific analysis of 'social phenomena' independent of special and 'one-sided' viewpoints according to which expressly or tacitly, consciously or unconsciously they are selected and organised for expository purposes. | |
| From: Max Weber ('Objectivity' in Social Sciences and Social Policy [1904], p.72), quoted by Reiss,J/Spreger,J - Scientific Objectivity 5.1 | |
| A reaction: Weber urged some objectivity by not judging agents' goals. Also see Idea 22367 |
| 22367 | The results of social research can be true, and not just subjectively valid for one person [Weber] |
| Full Idea: Cultural sciences do not have results which are 'subjective' and only valid for one person and not others. ...For scientific truth is precisely what is valid for all who seek the truth. | |
| From: Max Weber ('Objectivity' in Social Sciences and Social Policy [1904], p.84), quoted by Reiss,J/Spreger,J - Scientific Objectivity 5.1 | |
| A reaction: Weber said that although research interests are subjective, the social causes discovered can be objective. |
| 12739 | If we are dreaming, it is sufficient that the events are coherent, and obey laws [Leibniz] |
| Full Idea: Skeptics may doubt the truth of things, and if it pleases them to call the things that occur to us dreams, it suffices for these dreams to be in agreement with each other, and to obey certain laws. | |
| From: Gottfried Leibniz (On Perceptions [1680], A6.4.1398), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 7 | |
| A reaction: Leibniz flirted a great deal with phenomenalism throughout the middle of his career, as charted by Garber. Descartes made similar points. It is really only Berkeley who took this idea seriously. |
| 12738 | Successful prediction shows proficiency in nature [Leibniz] |
| Full Idea: He who can finally make predictions with success must be said to have become sufficiently proficient in nature. | |
| From: Gottfried Leibniz (On Perceptions [1680], A6.4.1398), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 7 | |
| A reaction: Is prediction achieved by knowledge of laws, or knowledge of essences and powers? The trouble with most laws is that they permit exceptions. 'Things fall, unless prevented' etc. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |