12 ideas
| 21862 | Consciousness is based on 'I can', not on 'I think' [Merleau-Ponty] |
| Full Idea: Consciousness is in the first place not a matter of 'I think' but of 'I can'. | |
| From: Maurice Merleau-Ponty (Phenomenology of Perception [1945], p.159), quoted by Beth Lord - Spinoza's Ethics 2 'Sensation' | |
| A reaction: The point here (quoted during a discussion of Spinoza) is that you can't leave out the role of the body, which seems correct. |
| 20750 | The mind does not unite perceptions, because they flow into one another [Merleau-Ponty] |
| Full Idea: I do not have one perception, then another, and between them a link brought about by the mind. Rather, each perspective merges into the other [against a unified background]. | |
| From: Maurice Merleau-Ponty (Phenomenology of Perception [1945], p.329-30), quoted by Kevin Aho - Existentialism: an introduction 3 'Perceptual' | |
| A reaction: I take this to be another piece of evidence pointing to realism as the best explanation of experience. A problem for Descartes is what unites the sequence of thoughts. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20725 | The idea of duty in one's calling haunts us, like a lost religion [Weber] |
| Full Idea: The idea of duty in one's calling prowls about in our lives like the ghost of dead religious beliefs. | |
| From: Max Weber (The Protestant Ethic and the Spirit of Capitalism [1904], 5) | |
| A reaction: Great sentence! Vast scholarship boiled down to a simple and disturbing truth. I recognise this in me. Having been 'Head of Philosophy' once is partly what motivates me to compile these ideas. |
| 20722 | Acquisition and low consumption lead to saving, investment, and increased wealth [Weber] |
| Full Idea: If people are acquisitive but consumption is limited, the inevitable result is the accumulation of capital through the compulsion to save. The restraints on consumption naturally served to increase wealth by enabling the productive investment of capital. | |
| From: Max Weber (The Protestant Ethic and the Spirit of Capitalism [1904], 5) | |
| A reaction: [compressed. He also quotes John Wesley saying this] In a nutshell, this is how the protestant ethic (esp. if puritan) drives capitalism. It also needs everyone to have a 'calling', and a rebellion against monasticism in favour of worldly work. |
| 20724 | When asceticism emerged from the monasteries, it helped to drive the modern economy [Weber] |
| Full Idea: When asceticism was carried out of the monastic cells into everyday life, and began to dominate worldly morality, it did its part in building the tremendous cosmos of the modern economic order. | |
| From: Max Weber (The Protestant Ethic and the Spirit of Capitalism [1904], 5) | |
| A reaction: Since Max Weber's time I should think this is less and less true. If you hunt for ascetics in the modern world, they are probably dropped out, and pursuing green politics. Industrialists are obsessed with property and wine. |
| 20717 | Capitalism is not unlimited greed, and may even be opposed to greed [Weber] |
| Full Idea: Unlimited greed for gain is not in the least identical with capitalism, and is still less in its spirit. Capitalism may even be identical with the restraint, or at least a rational tempering, of this irrational impulse. | |
| From: Max Weber (The Protestant Ethic and the Spirit of Capitalism [1904], Author's Intro) | |
| A reaction: The point is that profits have to be re-invested, rather than spent on pleasure. If we are stuck with capitalism we need a theory of Ethical Capitalism. |
| 20718 | Modern western capitalism has free labour, business separate from household, and book-keeping [Weber] |
| Full Idea: The modern Occident has developed a very different form of capitalism: the rational capitalist organisation of free labour …which needed two other factors: the separation of the business from the household, and the closely connected rational book-keeping. | |
| From: Max Weber (The Protestant Ethic and the Spirit of Capitalism [1904], Author's Intro) | |
| A reaction: For small businesses the separation has to be maintained by a ruthless effort of imagination. Book-keeping is because the measure of loss and profit is the engine of the whole game. Labour had to be dragged free of family and community. |
| 20719 | Punish the heretic, but be indulgent to the sinner [Weber] |
| Full Idea: The rule of the Catholic church is 'punishing the heretic, but indulgent of the sinner'. | |
| From: Max Weber (The Protestant Ethic and the Spirit of Capitalism [1904], 1) | |
| A reaction: Weber cites this as if it is a folklore saying. It seems to fit the teachings of Jesus, who is intensely keen on unwavering faith, but very kind to those who stray morally. Hence Graham Greene novels, all about sinners. |