18 ideas
| 10838 | To explain a concept, we need its purpose, not just its rules of usage [Dummett] |
| Full Idea: We cannot in general suppose that we give a proper account of a concept by describing those circumstance in which we do, and those in which we do not, make use of the relevant word. We explain the point of the concept, what we use the word for. | |
| From: Michael Dummett (Truth [1959], p.231) | |
| A reaction: Well said. I am beginning to develop a campaign to make sure that analytical philosophy focuses on understanding concepts (in a full 'logos' sort of way), and doesn't just settle for logical form or definition or rules of usage. |
| 10837 | It is part of the concept of truth that we aim at making true statements [Dummett] |
| Full Idea: It is part of the concept of truth that we aim at making true statements. | |
| From: Michael Dummett (Truth [1959], p.231) | |
| A reaction: This strikes me as a rather contentious but very interesting claim. An even stronger claim might be that its value (its normative force) is ALL that the concept of truth contributes to speech, other aspects being analysed into something else. |
| 10840 | We must be able to specify truths in a precise language, like winning moves in a game [Dummett] |
| Full Idea: For a particular bounded language, if it is free of ambiguity and inconsistency, it must be possible to characterize the true sentences of the language; somewhat as, for a given game, we can say which moves are winning moves. | |
| From: Michael Dummett (Truth [1959], p.237) | |
| A reaction: The background of this sounds rather like Tarski, with truth just being a baton passed from one part of the language to another, though Dummett adds the very un-Tarskian notion that truth has a value. |
| 19171 | Tarski's truth is like rules for winning games, without saying what 'winning' means [Dummett, by Davidson] |
| Full Idea: Tarski's definition of truth is like giving a definition of what it is to win in various games, without giving a hint as to what winning is (e.g. that it is what one tries to do when playing). | |
| From: report of Michael Dummett (Truth [1959]) by Donald Davidson - Truth and Predication 7 | |
| A reaction: This led Dummett to his 'normative' account of truth. Formally, the fact that speakers usually aim at truth seems irrelevant, but in life you certainly wouldn't have grasped truth if you thought falsehood was just as satisfactory. The world is involved. |
| 19712 | Maybe there is plain 'animal' knowledge, and clearly justified 'reflective' knowledge [Vahid] |
| Full Idea: There is a distinction between 'animal knowledge' (which requires only apt belief), and 'reflective knowledge' (requiring both apt and justified belief). | |
| From: Hamid Vahid (Externalism/Internalism [2011], 5) | |
| A reaction: [He cites Sosa 1991] My inclination (Idea 19711) was to think of knowledge as a continuum (possibly with a contextual component), and this distinction doesn't change my view, though it makes the point. |
| 19703 | Epistemic is normally marked out from moral or pragmatic justifications by its truth-goal [Vahid] |
| Full Idea: It is widely believed that epistemic justification is distinct from other species of justification such as moral or pragmatic justification in that it is intended to serve the so-called 'truth-goal'. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 1) | |
| A reaction: Kvanvig explicitly argues against this view. He broadens the aims, but it strikes me that other aims are all intertwined with truth in some way, so I find this idea quite plausible. |
| 19705 | 'Mentalist' internalism seems to miss the main point, if it might not involve an agent's access [Vahid] |
| Full Idea: Since mentalism remains neutral on whether mental states need be accessible to an agent ...it does not seem to do justice to the intuitions that drive paradigm internalist positions. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 2 A) | |
| A reaction: The rival view is 'access internalism', which implies that you can act on and take responsibility for your knowledge, because you are aware of its grounding. If animals know things, that might fit the mentalist picture better. |
| 19706 | Strong access internalism needs actual awareness; weak versions need possibility of access [Vahid] |
| Full Idea: A strong form of 'access internalism' is when an agent is required to be actually aware of the conditions that constitute justification; a weaker version loosens the accessibility condition, requiring only the ability to access the justification. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 2 B) | |
| A reaction: The super strong version implies that you probably only know one thing at a time, so it must be nonsense. The weaker version has grey areas. I remember roughly the justification, but not the details. The justification is in my diary. Etc. |
| 19707 | Maybe we need access to our justification, and also to know why it justifies [Vahid] |
| Full Idea: Access internalism may also have a truth-conducive conception of justification, where one should not only know what one's reasons are, but also why one's beliefs are probable on one's reasons. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 2 B) | |
| A reaction: [he cites Bonjour 1985] Sounds reasonable. It would seem odd if you had clear access to the reason, but didn't understand it, because you had just learned it by rote. |
| 19709 | Internalism in epistemology over-emphasises deliberation about beliefs [Vahid] |
| Full Idea: The internalist approach in epistemology seems to suggest an over-inellectualized and deliberative picture of our belief-forming activities. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 2.2 B) | |
| A reaction: This strikes me as confused. The question is not how do I arrive at my beliefs but what justifies my believing them, and what justifies the beliefs in themselves? My head is full of daft beliefs produced by TV advertising. |
| 19704 | Externalism may imply that identical mental states might go with different justifications [Vahid] |
| Full Idea: According to the 'mentalist' version of internalism, an externalist is someone who maintains that two people can be in the same present mental states while one has a justified belief and the other does not. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 2 A) | |
| A reaction: It seems an unlikely coincidence, that we have identical mental states, but your is (say) reliably created but mine isn't. Nevertheless this does seem to be an implication of externalism, though not a definition of it. |
| 19710 | With a counterfactual account of the causal theory, we get knowledge as tracking or sensitive to truth [Vahid] |
| Full Idea: The causal theory of justification was soon replaced by Nozick's construal of knowledge as counterfactually sensitive to its truth value (that is, it tracks truth). A counterfactual theory of causation connects this to the causal theory. | |
| From: Hamid Vahid (Externalism/Internalism [2011], 3) | |
| A reaction: This is presented as an externalist theory, close to the causal theory (and prior to the reliability theory). But how could you be 'sensitive' to a changing truth if the justification was all external? Externally supported beliefs seem ossified. |
| 19711 | Externalism makes the acquisition of knowledge too easy? [Vahid] |
| Full Idea: Internalists say that externalism is inadequate because it makes the obtaining of knowledge and justified beliefs too easy | |
| From: Hamid Vahid (Externalism/Internalism [2011], 4) | |
| A reaction: This looks like a key issue in epistemology. Do children and animals have lots of knowledge, which they soak up unthinkingly, or do only thinking adults really 'know' things? Why not have degrees of knowledge? |
| 10839 | You can't infer a dog's abstract concepts from its behaviour [Dummett] |
| Full Idea: One could train a dog to bark only when a bell rang and a light shone without presupposing that it possessed the concept of conjunction. | |
| From: Michael Dummett (Truth [1959], p.235) |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |