Combining Texts

All the ideas for 'Croce and Collingwood', 'A Free Will' and 'Maxims and Reflections'

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18 ideas

1. Philosophy / C. History of Philosophy / 2. Ancient Philosophy / e. Late classical philosophy
In the third century Stoicism died out, replaced by Platonism, with Aristotelian ethics [Frede,M]
     Full Idea: By the second century CE Aristotelianism and Platonism had begun to eclipse Stoicism, and by the end of the third century Stoicism had no followers. All philosophers now opted for some form of Platonism, but including Aristotle's ethical principles.
     From: Michael Frede (A Free Will [1997], 04)
     A reaction: The idea that Aristotelian ethics dominated that period is new to me. Stoic influence remained strong in Augustine, and hence in Christianity.
In late antiquity nearly all philosophers were monotheists [Frede,M]
     Full Idea: I am inclined to think that almost all philosophers in late antiquity were monotheists.
     From: Michael Frede (A Free Will [1997], 08)
     A reaction: I'm not sure when late antiquity begins, in this remark. Maybe as early as 100 CE. Epictetus talks of Zeus as if he is supreme.
12. Knowledge Sources / D. Empiricism / 5. Empiricism Critique
Many people imagine that to experience is to understand [Goethe]
     Full Idea: There are many people who imagine that what they experience they also understand.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 889)
     A reaction: This should be posted over the arrivals gate of every international airport, for returning holiday-makers. It seems to place Goethe on the rationalist side of the debate with empiricism. It is hard to explain 'understanding' in Humean terms.
13. Knowledge Criteria / E. Relativism / 3. Subjectivism
Man never understands how anthropomorphic he is [Goethe]
     Full Idea: Man never understands how anthropomorphic he is.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 203)
     A reaction: Nice. It is true, even when it is pointed out to us. No matter how hard we try to realise how very different animals are from us, we can't help identifying with them. Religious people even do it with inanimate creation.
16. Persons / C. Self-Awareness / 2. Knowing the Self
We gain self-knowledge through action, not thought - especially when doing our duty [Goethe]
     Full Idea: How can we learn self-knowledge? Never by taking thought, but rather by action. Try to do your duty and you'll soon discover what you're like.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 442)
     A reaction: Good! I even like the unfashionable bit about duty. If you just do what you want, you will discover your interests, but not so much about your capacities. However, when you have to do something less comfortable, it is very revealing.
16. Persons / F. Free Will / 2. Sources of Free Will
For Christians man has free will by creation in God's image (as in Genesis) [Frede,M]
     Full Idea: The Christian view, following Genesis, is that man is created in the image of God, and this is understood as crucially involving the idea that man has a free will in the image of God's will.
     From: Michael Frede (A Free Will [1997], 08)
     A reaction: The idea of free will evidently originated with Epictetus, but was taken up by Christians because it fitted doctrinal needs. Even Epictetus saw free will as originating in Zeus.
The idea of free will achieved universal acceptance because of Christianity [Frede,M]
     Full Idea: There is no doubt that the notion of a free will found almost universal acceptance owing to the influence of Christianity.
     From: Michael Frede (A Free Will [1997], 07)
     A reaction: This is presumably because a free will not only elevates us above the animals, qualifying us for immortality, but also gives us absolute and ultimate responsibility for our lives, which thus justifies either salvation or damnation.
The Stoics needed free will, to allow human choices in a divinely providential cosmos [Frede,M]
     Full Idea: The Stoics said that everything happens according to a divine providential plan, so they had to explain how this was compatible with human choices. They tried to do this with their doctrine of freedom and a free will.
     From: Michael Frede (A Free Will [1997], 10)
     A reaction: Epictetus made our ability to choose central to moral life, so he particularly needed (and thus created, it seems) this doctrine.
20. Action / B. Preliminaries of Action / 2. Willed Action / a. Will to Act
There is no will for Plato or Aristotle, because actions come directly from perception of what is good [Frede,M]
     Full Idea: Plato and Aristotle do not have a notion of a will, since for them a willing, a desire of reason, is a direct result of one's cognitive state: once one sees something to be good, one will it.
     From: Michael Frede (A Free Will [1997], 09)
     A reaction: The point is that their decisions are 'direct', whereas the will introduces the concept of a final arbiter which weighs up the desires, reasons and drives. The historical steps were first the meta-choosing, then the will as entity, then the will as free.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
     Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
     From: Gary Kemp (Croce and Collingwood [2012], Intro)
     A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Beauty is a manifestation of secret natural laws [Goethe]
     Full Idea: Beauty is a manifestation of secret natural laws which without this appearance would have remained eternally hidden from us.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 183)
     A reaction: An interesting defence of beauty as an objective feature of the world. I'm not sure. Much beauty is indeed the result of growth or erosion expressing underlying laws, but then I have always thought there was a sexual component to visual beauty.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
     Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
We don't already know what to express, and then seek means of expressing it [Kemp]
     Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.
The horror expressed in some works of art could equallly be expressed by other means [Kemp]
     Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
The happiest people link the beginning and end of life [Goethe]
     Full Idea: The happiest man is one who can link the end of his life with its beginning.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 140)
     A reaction: [from 'Art and Antiquity']. A nice thought, which chimes in with the idea that a good life is like a complete story or a work of art (Idea 7501), or that it is 'eudaimon'.
24. Political Theory / B. Nature of a State / 1. Purpose of a State
The best form of government teaches us to govern ourselves [Goethe]
     Full Idea: You ask which form of government is the best? Whichever teaches us to govern ourselves.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 353)
     A reaction: Not a fashionable view, since the rise of freedom as the highest political ideal, but I identify with the idea that a good government should educate, and should try to facilitate virtue as well as pleasure.
25. Social Practice / C. Rights / 1. Basis of Rights
To get duties from people without rights, you must pay them well [Goethe]
     Full Idea: If you demand duties from people and will not concede them rights, you have to pay them well.
     From: Wolfgang von Goethe (Maxims and Reflections [1825], 180)
     A reaction: [from 'Art and Antiquity']. ...or have great power over them. Goethe gives the optimistic liberal view, rather than the Marxist view.
29. Religion / A. Polytheistic Religion / 4. Dualist Religion
The Gnostic demiurge (creator) is deluded, and doesn't care about us [Frede,M]
     Full Idea: The Gnostics thought the demiurge or creator pursues its own interests without regard for what this does to us, a being lacking in wisdom and goodness, as seen by its deluding itself into thinking that it is God, and demanding worship.
     From: Michael Frede (A Free Will [1997], Intro)
     A reaction: Frede mentions Irenaeus as a source of this view. The idea that the Great Being doesn't care about us seems a fairly accurate observation.