13 ideas
| 4424 | A warlike philosopher challenges problems to single combat [Nietzsche] |
| Full Idea: A warlike philosopher challenges problems to single combat. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], Wise §7) | |
| A reaction: And what do pacifist philosophers do? It is a moot point whether philosophy is even possible without a streak of aggression. Otherwise you circle the problem, but don't confront it. |
| 14380 | The distinction between necessary and essential properties can be ignored [Rocca] |
| Full Idea: Some philosophers distinguish between necessary properties and essential properties. This distinction is irrelevant to my purposes. Following Yablo, I shall ignore this distinction in what follows. | |
| From: Michael della Rocca (Essentialists and Essentialism [1996], I n1) | |
| A reaction: This is two years after Kit Fine's seminal paper suggesting the distinction is real. The first step towards a good metaphysics is to realise that Della Rocca and Yablo have made a horrible mistake. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 2886 | The distinction between egoistic and non-egoistic acts is absurd [Nietzsche] |
| Full Idea: There are neither egoistic nor unegoistic actions: both concepts are psychologically nonsense. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], 4.5) | |
| A reaction: Not quite true, but I like this observation. The idea that you could divide everyone's actions into these two groups is certainly nonsense. But some people are more altruistic than others! |
| 4426 | A bad result distorts one's judgement about the virtue of what one has done [Nietzsche] |
| Full Idea: I should prefer to exclude the bad result, the consequences, from the question of value as a matter of principle. Faced with a bad result, one loses all too easily the right perspective for what one has done. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], Clever §1) | |
| A reaction: If the perspective is easily lost, we should make more effort, not ignore consequences. The question is whether you could have foreseen or controlled the consequences. |
| 4425 | The overcoming of pity I count among the noble virtues [Nietzsche] |
| Full Idea: The overcoming of pity I count among the noble virtues. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], Wise §4) | |
| A reaction: Hm. I can just about see that there might be more important things than compassion for suffering, but I can't see any human activity that makes it worthwhile to trample on pity. |
| 20132 | To become what you are you must have no self-awareness [Nietzsche] |
| Full Idea: To become what one is, one must not have the faintest notion of what one is. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], II.9), quoted by Brian Leiter - Nietzsche On Morality 3 'fatalism' | |
| A reaction: [Don't understand 'II.9'] Enigmatic but striking. As I understand it, Nietzsche thought that knowing what you are is virtually impossible, though he spent a lifetime studying himself. Would you recognise someone who had become what they are? |
| 20144 | Eternal recurrence is the highest attainable affirmation [Nietzsche] |
| Full Idea: Eternal recurrence is the highest formula of affirmation that is at all attainable. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], III.Z-1?), quoted by Brian Leiter - Nietzsche On Morality | |
| A reaction: Did Nietzsche have in mind an even higher formulation that was unattainable? The aim of eternal recurrence is to offer the highest possible ideal that remains rooted in the nature of ordinary life. It is a cut-down version of the Form of the Good. |
| 2889 | One repays a teacher badly if one remains only a pupil [Nietzsche] |
| Full Idea: One repays a teacher badly if one remains only a pupil. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], Fore) |
| 2887 | I am not an atheist because of reasoning or evidence, but because of instinct [Nietzsche] |
| Full Idea: I have absolutely no knowledge of atheism as an outcome of reasoning, still less an event: with me it is obvious by instinct. | |
| From: Friedrich Nietzsche (Ecce Homo [1889], 3.1) |