22 ideas
| 19588 | The highest aim of philosophy is to combine all philosophies into a unity [Novalis] |
| Full Idea: He attains the maximum of a philosopher who combines all philosophies into a single philosophy | |
| From: Novalis (Logological Fragments II [1798], 31) | |
| A reaction: I have found the epigraph for my big book! Recently a few narrowly analytical philosophers have attempted big books about everything (Sider, Heil, Chalmers), and they get a huge round of applause from me. |
| 19598 | Philosophy relies on our whole system of learning, and can thus never be complete [Novalis] |
| Full Idea: Now all learning is connected - thus philosophy will never be complete. Only in the complete system of all learning will philosophy be truly visible. | |
| From: Novalis (Logological Fragments II [1798], 39) | |
| A reaction: Philosophy is evidently the unifying subject, which reveals the point of all the other subjects. It matches my maxim that 'science is the servant of philosophy'. |
| 19586 | Philosophers feed on problems, hoping they are digestible, and spiced with paradox [Novalis] |
| Full Idea: The philosopher lives on problems as the human being does on food. An insoluble problem is an indigestible food. What spice is to food, the paradoxical is to problems. | |
| From: Novalis (Logological Fragments II [1798], 09) | |
| A reaction: Novalis would presumably have disliked Hegel's dialectic, where the best food seems to be the indigestible. |
| 19587 | Philosophy aims to produce a priori an absolute and artistic world system [Novalis] |
| Full Idea: Philosophy ...is the art of producing all our conceptions according to an absolute, artistic idea and of developing the thought of a world system a priori out of the depths of our spirit. | |
| From: Novalis (Logological Fragments II [1798], 19) | |
| A reaction: A lovely statement of the dream of building world systems by pure thought - embodying perfectly the view of philosophy despised by logical positivists and modern logical metaphysicians. The Novalis view will never die! I like 'artistic'. |
| 9376 | A sentence may simultaneously define a term, and also assert a fact [Boghossian] |
| Full Idea: It doesn't follow from the fact that a given sentence is being used to implicitly define one of its ingredient terms, that it is not a factual statement. 'This stick is a meter long at t' may define an ingredient terms and express something factual. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: This looks like a rather good point, but it is tied in with a difficulty about definition, which is deciding which sentences are using a term, and which ones are defining it. If I say 'this stick in Paris is a meter long', I'm not defining it. |
| 19597 | Logic (the theory of relations) should be applied to mathematics [Novalis] |
| Full Idea: Ought not logic, the theory of relations, be applied to mathematics? | |
| From: Novalis (Logological Fragments II [1798], 38) | |
| A reaction: Bolzano was 19 when his was written. I presume Novalis would have been excited by set theory (even though he was a hyper-romantic). |
| 9375 | Conventionalism agrees with realists that logic has truth values, but not over the source [Boghossian] |
| Full Idea: Conventualism is a factualist view: it presupposes that sentences of logic have truth values. It differs from a realist view in its conception of the source of those truth values, not on their existence. I call the denial of truths Non-Factualism. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: It barely seems to count as truth is we say 'p is true because we say so'. It is a truth about an agreement, not a truth about logic. Driving on the left isn't a truth about which side of the road is best. |
| 9369 | 'Snow is white or it isn't' is just true, not made true by stipulation [Boghossian] |
| Full Idea: Isn't it overwhelmingly obvious that 'Either snow is white or it isn't' was true before anyone stipulated a meaning for it, and that it would have been true even if no one had thought about it, or chosen it to be expressed by one of our sentences? | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §I) | |
| A reaction: Boghossian would have to believe in propositions (unexpressed truths) to hold this - which he does. I take the notion of truth to only have relevance when there are minds around. Otherwise the so-called 'truths' are just the facts. |
| 9367 | The a priori is explained as analytic to avoid a dubious faculty of intuition [Boghossian] |
| Full Idea: The central impetus behind the analytic explanation of the a priori is a desire to explain the possibility of a priori knowledge without having to postulate a special evidence-gathering faculty of intuition. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §I) | |
| A reaction: I don't see at all why one has to postulate a 'faculty' in order to talk about intuition. I take an intuition to be an apprehension of a probable truth, combined with an inability to articulate how the conclusion was arrived at. |
| 9373 | That logic is a priori because it is analytic resulted from explaining the meaning of logical constants [Boghossian] |
| Full Idea: The analytic theory of the apriority of logic arose indirectly, as a by-product of the attempt to explain in what a grasp of the meaning of the logical constants consists. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: Preumably he is referring to Wittgenstein's anguish over the meaning of the word 'not' in his World War I notebooks. He first defined the constants by truth tables, then asserted that they were purely conventional - so logic is conventional. |
| 9380 | We can't hold a sentence true without evidence if we can't agree which sentence is definitive of it [Boghossian] |
| Full Idea: If there is no sentence I must hold true if it is to mean what it does, then there is no basis on which to argue that I am entitled to hold it true without evidence. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: He is exploring Quine's view. Truth by convention depends on agreeing which part of the usage of a term constitutes its defining sentence(s), and that may be rather tricky. Boghossian says this slides into the 'dreaded indeterminacy of meaning'. |
| 9384 | We may have strong a priori beliefs which we pragmatically drop from our best theory [Boghossian] |
| Full Idea: It is consistent with a belief's being a priori in the strong sense that we should have pragmatic reasons for dropping it from our best overall theory. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], n 6) | |
| A reaction: Does 'dropping it' from the theory mean just ignoring it, or actually denying it? C.I. Lewis is the ancestor of this view. Could it be our 'best' theory, while conflicting with beliefs that were strongly a priori? Pragmatism can embrace falsehoods. |
| 9374 | If we learn geometry by intuition, how could this faculty have misled us for so long? [Boghossian] |
| Full Idea: If we learn geometrical truths by intuition, how could this faculty have misled us for so long? | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: This refers to the development of non-Euclidean geometries, though the main misleading concerns parallels, which involves infinity. Boghossian cites 'distance' as a concept the Euclideans had misunderstood. Why shouldn't intuitions be wrong? |
| 9378 | If meaning depends on conceptual role, what properties are needed to do the job? [Boghossian] |
| Full Idea: Conceptual Role Semantics must explain what properties an inference or sentence involving a logical constant must have, if that inference or sentence is to be constitutive of its meaning. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: This is my perennial request that if something is to be defined by its function (or role), we must try to explain what properties it has that make its function possible, and those properties will be the more basic explanation. |
| 9377 | 'Conceptual role semantics' says terms have meaning from sentences and/or inferences [Boghossian] |
| Full Idea: 'Conceptual role semantics' says the logical constants mean what they do by virtue of figuring in certain inferences and/or sentences involving them and not others, ..so some inferences and sentences are constitutive of an expression's meaning. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §III) | |
| A reaction: If the meaning of the terms derives from the sentences in which they figure, that seems to be meaning-as-use. The view that it depends on the inferences seems very different, and is a more interesting but more risky claim. |
| 9372 | Could expressions have meaning, without two expressions possibly meaning the same? [Boghossian] |
| Full Idea: Could there be a fact of the matter about what each expression means, but no fact of the matter about whether they mean the same? | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §II) | |
| A reaction: He is discussing Quine's attack on synonymy, and his scepticism about meaning. Boghossian and I believe in propositions, so we have no trouble with two statements having the same meaning. Denial of propositions breeds trouble. |
| 17721 | There are no truths in virtue of meaning, but there is knowability in virtue of understanding [Boghossian, by Jenkins] |
| Full Idea: Boghossian distinguishes metaphysical analyticity (truth purely in virtue of meaning, debunked by Quine, he says) from epistemic analyticity (knowability purely in virtue of understanding - a notion in good standing). | |
| From: report of Paul Boghossian (Analyticity Reconsidered [1996]) by Carrie Jenkins - Grounding Concepts 2.4 | |
| A reaction: [compressed] This fits with Jenkins's claim that we have a priori knowledge just through understanding and relating our concepts. She, however, rejects that idea that a priori is analytic. |
| 9368 | Epistemological analyticity: grasp of meaning is justification; metaphysical: truth depends on meaning [Boghossian] |
| Full Idea: The epistemological notion of analyticity: a statement is 'true by virtue of meaning' provided that grasp of its meaning alone suffices for justified belief in its truth; the metaphysical reading is that it owes its truth to its meaning, not to facts. | |
| From: Paul Boghossian (Analyticity Reconsidered [1996], §I) | |
| A reaction: Kripke thinks it is neither, but is a purely semantic notion. How could grasp of meaning alone be a good justification if it wasn't meaning which was the sole cause of the statement's truth? I'm not convinced by his distinction. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |