13 ideas
| 17610 | The Axiom of Choice paradoxically allows decomposing a sphere into two identical spheres [Maddy] |
| Full Idea: One feature of the Axiom of Choice that troubled many mathematicians was the so-called Banach-Tarski paradox: using the Axiom, a sphere can be decomposed into finitely many parts and those parts reassembled into two spheres the same size as the original. | |
| From: Penelope Maddy (Defending the Axioms [2011], 1.3) | |
| A reaction: (The key is that the parts are non-measurable). To an outsider it is puzzling that the Axiom has been universally accepted, even though it produces such a result. Someone can explain that, I'm sure. |
| 17620 | Critics of if-thenism say that not all starting points, even consistent ones, are worth studying [Maddy] |
| Full Idea: If-thenism denies that mathematics is in the business of discovering truths about abstracta. ...[their opponents] obviously don't regard any starting point, even a consistent one, as equally worthy of investigation. | |
| From: Penelope Maddy (Defending the Axioms [2011], 3.3) | |
| A reaction: I have some sympathy with if-thenism, in that you can obviously study the implications of any 'if' you like, but deep down I agree with the critics. |
| 17605 | Hilbert's geometry and Dedekind's real numbers were role models for axiomatization [Maddy] |
| Full Idea: At the end of the nineteenth century there was a renewed emphasis on rigor, the central tool of which was axiomatization, along the lines of Hilbert's axioms for geometry and Dedekind's axioms for real numbers. | |
| From: Penelope Maddy (Defending the Axioms [2011], 1.3) |
| 17625 | If two mathematical themes coincide, that suggest a single deep truth [Maddy] |
| Full Idea: The fact that two apparently fruitful mathematical themes turn out to coincide makes it all the more likely that they're tracking a genuine strain of mathematical depth. | |
| From: Penelope Maddy (Defending the Axioms [2011], 5.3ii) |
| 17615 | Every infinite set of reals is either countable or of the same size as the full set of reals [Maddy] |
| Full Idea: One form of the Continuum Hypothesis is the claim that every infinite set of reals is either countable or of the same size as the full set of reals. | |
| From: Penelope Maddy (Defending the Axioms [2011], 2.4 n40) |
| 17618 | Set-theory tracks the contours of mathematical depth and fruitfulness [Maddy] |
| Full Idea: Our set-theoretic methods track the underlying contours of mathematical depth. ...What sets are, most fundamentally, is markers for these contours ...they are maximally effective trackers of certain trains of mathematical fruitfulness. | |
| From: Penelope Maddy (Defending the Axioms [2011], 3.4) | |
| A reaction: This seems to make it more like a map of mathematics than the actual essence of mathematics. |
| 17614 | The connection of arithmetic to perception has been idealised away in modern infinitary mathematics [Maddy] |
| Full Idea: Ordinary perceptual cognition is most likely involved in our grasp of elementary arithmetic, but ...this connection to the physical world has long since been idealized away in the infinitary structures of contemporary pure mathematics. | |
| From: Penelope Maddy (Defending the Axioms [2011], 2.3) | |
| A reaction: Despite this, Maddy's quest is for a 'naturalistic' account of mathematics. She ends up defending 'objectivity' (and invoking Tyler Burge), rather than even modest realism. You can't 'idealise away' the counting of objects. I blame Cantor. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 295 | The good is beautiful [Plato] |
| Full Idea: The good is beautiful. | |
| From: Plato (Lysis [c.400 BCE], 216d) | |
| A reaction: also Timaeus 87c |
| 294 | People say that friendship exists only between good men [Plato] |
| Full Idea: People say that friendship exists only between good men. | |
| From: Plato (Lysis [c.400 BCE], 214d) |