7 ideas
| 21912 | Fichte, Schelling and Hegel rejected transcendental idealism [Lewis,PB] |
| Full Idea: Fichte, Schelling and Hegel were united in their opposition to Kant's Transcendental Idealism. | |
| From: Peter B. Lewis (Schopenhauer [2012], 3) | |
| A reaction: That is, they preferred genuine idealism, to the mere idealist attitude Kant felt that we are forced to adopt. |
| 21911 | Fichte, Hegel and Schelling developed versions of Absolute Idealism [Lewis,PB] |
| Full Idea: At the University of Jena, Fichte, Hegel and Schelling critically developed aspects of Kant's philosophy, each in his own way, thereby giving rise to the movement known as Absolute Idealism, see reality as universal God-like self-consciousness. | |
| From: Peter B. Lewis (Schopenhauer [2012], 2) | |
| A reaction: Is asking how anyone can possibly have believed such a bizarre and ridiculous idea a) uneducated, b) stupid, c) unimaginative, or d) very sensible? It sounds awfully like Spinoza's concept of God. Also Anaxagoras. |
| 5692 | Introspection is not perception, because there are no extra qualities apart from the mental events themselves [Rosenthal] |
| Full Idea: Introspection cannot be a form of perceiving, since that invariably involves sensory qualities, and no qualities occur in introspection other than those of the sensations and perceptions we introspect; there are no additional qualities. | |
| From: David M. Rosenthal (Instrospection [1998]) | |
| A reaction: This sounds pretty conclusive. Presumably introspection is best described as meta-thought rather than perception, which means that it involves beliefs and judgements, rather than new perceptual qualities. It has to be conceptual, and probably linguistic. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |