16 ideas
| 12149 | Indexicals are a problem for beliefs being just subject-proposition relations [Perry] |
| Full Idea: The essential indexical is a problem for the view that belief is a relation between subjects and propositions conceived as bearers of truth and falsity. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Intro') | |
| A reaction: My immediate reaction would be that it depends on how you conceive of 'propositions'. If they are objective, you have a problem. I take them to be subjective events in brains, and the indexical meaning to be evident within the proposition. |
| 12151 | If we replace 'I' in sentences about me, they are different beliefs and explanations of behaviour [Perry] |
| Full Idea: If I leave a trail of sugar, and realise 'that I am making a mess', ...when we replace the word 'I' with other designations of me, we no longer have an explanation of my behaviour, or an attribution of the same belief, so it is an 'essential indexical'. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Intro') | |
| A reaction: [compressed] A famous observation of Perry's, which leads him to challenge traditional accounts of belief and of propositions. I don't think I see a problem, if we have a thoroughly non-linguistic account of essentially unambiguous propositions. |
| 18412 | Indexicals individuate certain belief states, helping in explanation and prediction [Perry] |
| Full Idea: We use sentences with indexicals or relativized propositions to individuate belief states, for the purposes of classifying believers in ways useful for explanation and prediction. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Obvious') | |
| A reaction: He goes on to apparently connect this with some sort of moral integrity involved in 'owning up' to the fact that the person in question is you (who has spilled the sugar etc.). |
| 12150 | Indexicals reveal big problems with the traditional idea of a proposition [Perry] |
| Full Idea: The problem of the essential indexical reveals that something is badly wrong with the traditional doctrine of propositions. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Prob') | |
| A reaction: See the reaction to 12149. The traditional view of propositions, or at least Russell's view, seems to be that they are same as facts, which strikes me as daft. I take propositions to be brain events, probably expressed in mentalese. |
| 22465 | We see a moral distinction between doing and allowing to happen [Foot] |
| Full Idea: We have an intuition that there is a morally relevant distinction between what we do and what we allow to happen. | |
| From: Philippa Foot (Morality, Action, and Outcome [1985], p.88) | |
| A reaction: She says many deny this distinction, but she defends it. Presumably consequentialists deny the distinction. What is bad if I do it, but OK if I allow it to happen? Neglecting a victim to save others, she suggests. |
| 22466 | We see a moral distinction between our aims and their foreseen consequences [Foot] |
| Full Idea: We have an intuition that there is a moral distinction between what we aim at and what we foresee as a result of what we do. | |
| From: Philippa Foot (Morality, Action, and Outcome [1985], p.88) | |
| A reaction: Cf. Idea 22465. This seems to be the classic doctrine of double effect. It is hard to defend the claim that we are only responsible for what we aim at. A wide assessment of consequences is a moral duty. Well-meaning fools are bad. |
| 22467 | Acts and omissions only matter if they concern doing something versus allowing it [Foot] |
| Full Idea: The difference between acts and omissions is irrelevant to any moral issue except in so far as it corresponds to the distinction between allowing something to happen and being the agent to whom the happening can be ascribed. | |
| From: Philippa Foot (Morality, Action, and Outcome [1985], p.89) | |
| A reaction: The list of anyone's omissions is presumably infinite, but what they 'allow' must be in some way within their power. But what of something I can't now prevent, only because I failed to do some relevant task yesterday? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 22470 | A good moral system benefits its participants, and so demands reciprocity [Foot] |
| Full Idea: It has been suggested that one criterion for a good moral system is that it should be possible to demand reciprocity from every individual because of the good the system renders to him. | |
| From: Philippa Foot (Morality, Action, and Outcome [1985], p.104) | |
| A reaction: Money seems to have this feature, that we mostly conform to the rules for its use, because we value the whole system. Foot accepts this, but says there are also other criteria, such as leaving freedom to live well (ie. not too puritanical). |
| 22468 | Virtues can have aims, but good states of affairs are not among them [Foot] |
| Full Idea: Some virtues do give us aims, but nothing from within morality suggests the kind of good state of affairs which it would seem always to be our duty to promote. And why indeed should there be any such thing? | |
| From: Philippa Foot (Morality, Action, and Outcome [1985], p.101) | |
| A reaction: Isn't successful human functioning, such as heath, always to be desired? If honour is a worthy aim, doesn't that make being rightly honoured a desirable state of affairs? She is attacking consequentialism, but I'm not convinced here. |
| 22469 | Some virtues imply rules, and others concern attachment [Foot] |
| Full Idea: Virtues such as justice consist mainly in adherence to rules of conduct, while those such as benevolence we might call virtues of attachment. | |
| From: Philippa Foot (Morality, Action, and Outcome [1985], p.101) | |
| A reaction: Not sure about 'attachment'. We should be benevolent towards people to whom we are not particularly attached. Courage doesn't fall into either group. |
| 15203 | Tense is essential for thought and action [Perry, by Le Poidevin] |
| Full Idea: Tense plays a crucial role in thought and action. | |
| From: report of John Perry (The Problem of the Essential Indexical [1979]) by Robin Le Poidevin - Past, Present and Future of Debate about Tense 3 a | |
| A reaction: This is important, because much of our metaphysics is dominated by a detached 'scientific' description of reality, which is given a rather passive character. If processes take centre stage, which they should, then our own processes are part of it. |
| 15204 | Actual tensed sentences cannot be tenseless, because they can cite their own context [Perry, by Le Poidevin] |
| Full Idea: In the new tenseless theory, no tensed token sentence can be equivalent to a tenseless token, because the former, unlike the latter, draws attention to the context in which it is tokened. | |
| From: report of John Perry (The Problem of the Essential Indexical [1979]) by Robin Le Poidevin - Past, Present and Future of Debate about Tense 3 a | |
| A reaction: So the problem about indexicals was worrying fans of the tenseless B-series view of time (and so it should). I'm inclined to translate sentences containing indexicals into their actual propositions, which tend to avoid them. 'Time/person of utterance'. |