34 ideas
| 4456 | Epistemological Ockham's Razor demands good reasons, but the ontological version says reality is simple [Moreland] |
| Full Idea: Ockham's Razor has an epistemological version, which says we should not multiply existences or explanations without adequate reason, and an ontological version, which says reality is simple, and so a simpler ontology represents it more accurately. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: A nice distinction. Is it reality which is simple, or us? One shouldn't write off the ontological version. If one explanation is simpler than the others, there may be a reason in nature for that. |
| 4474 | Existence theories must match experience, possibility, logic and knowledge, and not be self-defeating [Moreland] |
| Full Idea: A theory of existence should 1) be consistent with what actually exists, 2) be consistent with what could exist, 3) not make existence impossible (e.g. in space-time), 4) not violate logic, 5) make knowing the theory possible. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: A nice bit of metaphilosophical analysis. I still doubt whether a theory of existence is possible (something has to be 'given' a priori), but this is a good place to start the attempt. |
| 4461 | Tropes are like Hume's 'impressions', conceived as real rather than as ideal [Moreland] |
| Full Idea: Tropes are (says Campbell) substances (in Hume's sense), and indeed resemble his impressions conceived realistically rather than idealistically. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: An interesting link. It doesn't get rid of the problem Hume has, of saying when two impressions are the same. Are they types or tokens? Trope-theory claims they are tokens. Hume's ontology includes 'resemblance'. |
| 4462 | A colour-trope cannot be simple (as required), because it is spread in space, and so it is complex [Moreland] |
| Full Idea: A property-instance must be spread out in space, or it is not clear how a colour nature can be present, but then it has to be a complex entity, and tropes are supposed to be simple entities. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: Seems a fair point. Nothing else in reality can be sharply distinguished, so why should 'simple' and 'complex'? |
| 4463 | In 'four colours were used in the decoration', colours appear to be universals, not tropes [Moreland] |
| Full Idea: If a decorator says that they used four colours to decorate a house, four tropes is not what was meant, and the statement seems to view colours as universals. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: Although I am suspicious of using language to deduce ontology, you have to explain why certain statements (like this) are even possible to make. |
| 4451 | If properties are universals, what distinguishes two things which have identical properties? [Moreland] |
| Full Idea: If properties are universals, what account can be given of the individuation of two entities that have all their pure properties in common? | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: Is this a big problem? Maybe only a space-time location can do it. Or, in the nice case where the universe is just two identical spheres, it may be impossible. |
| 4453 | One realism is one-over-many, which may be the model/copy view, which has the Third Man problem [Moreland] |
| Full Idea: One version of realism says that the universal does not enter into the being of its instances, and thus is a One-Over-Many. One version of this is the model/copy view, but this is not widely held, because of difficulties such as the Third Man Argument. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: This presumably arises if the model is held to have the properties of the copy (self-predication), and looks like a bad theory |
| 4464 | Realists see properties as universals, which are single abstract entities which are multiply exemplifiable [Moreland] |
| Full Idea: Traditional realism is the view that a property is a universal construed as a multiply exemplifiable abstract entity that is a numerically identical constituent in each of its instances. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: Put like that, it seems hard to commit oneself fully to realism. How can two red buses contain one abstract object spread out between them. Common sense says there are two 'rednesses' which resemble one another, which is a version of nominalism. |
| 4449 | Evidence for universals can be found in language, communication, natural laws, classification and ideals [Moreland] |
| Full Idea: Those who believe in universals appeal to the meaningfulness of language, the lawlike nature of causation, the inter-subjectivity of thinking, our ability to classify new entities, gradation, and the need for perfect standards or paradigms. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: Of these, language and communication ought to be explicable by convention, but classification and natural laws look to me like the best evidence. |
| 4450 | The traditional problem of universals centres on the "One over Many", which is the unity of natural classes [Moreland] |
| Full Idea: Historically the problem of universals has mainly been about the "One over Many", which involves giving an account of the unity of natural classes. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: This still strikes me as the main problem (rather than issues of language). If universals are not natural, they must be analysed as properties, which break down into causation, which is seen as a human convention. |
| 4454 | The One-In-Many view says universals have abstract existence, but exist in particulars [Moreland] |
| Full Idea: Another version of realism says is One-In-Many, where the universal is not another particular, but is literally in the instances. The universal is an abstract entity, in the instances by means of a primitive non-spatiotemporal tie of predication. | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: This sounds like Aristotle (and is Loux's view of properties and relations). If they are abstract, why must they be confined to particulars? |
| 4468 | How could 'being even', or 'being a father', or a musical interval, exist naturally in space? [Moreland] |
| Full Idea: Many properties (being even) and relations (musical intervals, being a father) are such that it is not clear what it would mean to take them as natural things existing in space. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: 'Being even' certainly seems to be a property, and it is a struggle to see how it could exist in space, unless it is a set of actual or potential brain states. |
| 4452 | Maybe universals are real, if properties themselves have properties, and relate to other properties [Moreland] |
| Full Idea: Realism about universals is supported by the phenomenon of abstract reference - that is the fact that properties themselves have properties ('red is a colour'), and stand in relation to other properties ('red is more like orange than like blue'). | |
| From: J.P. Moreland (Universals [2001], Ch.1) | |
| A reaction: While a property may be an obviously natural feature, properties of properties seem more likely to be the produce of human perception and convention. It is a good argument, though. |
| 4467 | A naturalist and realist about universals is forced to say redness can be both moving and stationary [Moreland] |
| Full Idea: If a property is held to be at the location of the particular, then if there are two objects having the same property, and one object is stationary and the other is moving, the realist is forced to say that the universal is both moving and at rest. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: The target of this comment is D.M.Armstrong. The example nicely illustrates the problem of trying to combine science and metaphysics. It pushes you back to Platonism, but that seems wrong too… |
| 4469 | There are spatial facts about red particulars, but not about redness itself [Moreland] |
| Full Idea: When one attends to something existing in space, one attends to an instance of redness, not to redness itself (which is a colour, which resembles orange). The facts about red itself are not spatial facts, but are traditionally seen as a priori synthetic. | |
| From: J.P. Moreland (Universals [2001], Ch.4) | |
| A reaction: This is the fact that properties can themselves have properties (and so on?), which seems to take us further and further from the natural world. |
| 4472 | Redness is independent of red things, can do without them, has its own properties, and has identity [Moreland] |
| Full Idea: Four arguments for Platonism: 1) there are truths about redness (it's a colour) even if nothing red exists, 2) redness does not depend on particulars, 3) most universals are at some time not exemplified, 4) universals satisfy the criteria of existence. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: This adds up to quite a good case, particularly the point that things can be said about redness which are independent of any particular, but the relationships between concepts and the brain seems at the heart of the problem. |
| 4459 | Moderate nominalism attempts to embrace the existence of properties while avoiding universals [Moreland] |
| Full Idea: Moderate nominalism attempts to embrace the existence of properties while avoiding universals. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: Clearly there is going to be quite a struggle to make sense of 'exists' here (Russell tries 'subsists). Presumably each property must be a particular? |
| 4458 | Unlike Class Nominalism, Resemblance Nominalism can distinguish natural from unnatural classes [Moreland] |
| Full Idea: Resemblance Nominalism is clearly superior to Class Nominalism, since the former offers a clear ground for distinguishing between natural and unnatural classes. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: Important. It seems evident to me that there are natural classes, and the only ground for this claim would be either the resemblance or the identity of properties. |
| 4457 | There can be predicates with no property, and there are properties with no predicate [Moreland] |
| Full Idea: Linguistic predicates are neither sufficient nor necessary for specifying a property. Predicates can be contrived which express no property, properties are far more numerous than linguistic predicates, and properties are what make predicates apply. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: This seems to me conclusive, and is a crucial argument against anyone who thinks that our metaphysics can simply be inferred from our language. |
| 4471 | We should abandon the concept of a property since (unlike sets) their identity conditions are unclear [Moreland] |
| Full Idea: Some argue that compared to sets, the identity conditions for properties are obscure, and so properties, including realist depictions of them, should be rejected. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: I have never thought that difficulty in precisely identifying something was a good reason for denying its existence. Consider low morale in a work force. 2nd thoughts: I like this! |
| 4476 | Most philosophers think that the identity of indiscernibles is false [Moreland] |
| Full Idea: Most philosophers think that the identity of indiscernibles is false. | |
| From: J.P. Moreland (Universals [2001], Ch.7) | |
| A reaction: This is as opposed to the generally accepted 'indiscernibility of identicals'. 'Discernment' is an epistemological concept, and 'identity' is an ontological concept. |
| 4460 | Abstractions are formed by the mind when it concentrates on some, but not all, the features of a thing [Moreland] |
| Full Idea: If something is 'abstract' it is got before the mind by an act of abstraction, that is, by concentrating attention on some (but not all) of what is presented. | |
| From: J.P. Moreland (Universals [2001], Ch.3) | |
| A reaction: Presumably it usually involves picking out the behavioural or causal features, and leaving out the physical features - though I suppose it works for physical properties too… |
| 5952 | Rather than being the whole soul, maybe I am its chief part? [Plutarch] |
| Full Idea: Is each of us not the soul, but the chief part of the soul, by which we think and reason and act, all the other parts of soul as well as of body being mere instruments of its power? | |
| From: Plutarch (74: Reply to Colotes [c.85], §1119) | |
| A reaction: Socrates is associated with the idea that I am my whole soul (Idea 1650). Plutarch represents an interesting development, which may lead both to the Christian 'soul' and to the Cartesian 'ego'. I think Plutarch is right, but what is the 'soul'? |
| 5951 | If atoms have no qualities, they cannot possibly produce a mind [Plutarch] |
| Full Idea: Perception, mind, intelligence and thought cannot so much as be conceived, even with the best will, as arising among void and atoms, things which taken separately have no quality. | |
| From: Plutarch (74: Reply to Colotes [c.85], §1112) | |
| A reaction: A nice articulation of the intuition of all anti-physicalists. Plutarch would have to rethink his position carefully if he learned of the sheer number of connections in the brain, and of the theory of natural selection. His challenge remains, though. |
| 4455 | It is always open to a philosopher to claim that some entity or other is unanalysable [Moreland] |
| Full Idea: It is always open to a philosopher to claim that some entity or other is unanalysable. | |
| From: J.P. Moreland (Universals [2001], Ch.2) | |
| A reaction: For example, Davidson on truth. There is an onus to demonstrate why all attempted analyses fail. |
| 20796 | Action needs an affinity for a presentation, and an impulse toward the affinity [Plutarch] |
| Full Idea: The sceptics say there are three movements of the soul: presentation, impulse and assent. …And action requires two things: a presentation of something to which one has an affinity, and an impulse toward what is presented as an object of affinity. | |
| From: Plutarch (74: Reply to Colotes [c.85], 1122c) | |
| A reaction: Not much reasoning involved in this account, which the sceptics say is compatible with suspension of judgement. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 5948 | The good life involves social participation, loyalty, temperance and honesty [Plutarch] |
| Full Idea: To live the good life is to live a life of participation in society, of loyalty to friends, of temperance and honest dealing. | |
| From: Plutarch (74: Reply to Colotes [c.85], §1108) | |
| A reaction: 'Participation in society' is the interesting one. This might translate as 'doing your duty', or as 'leading a well-rounded life'. Solitude is wrong if you are indebted to others, and it is unhealthy if you are not. Is solitude really immoral, though? |
| 5950 | If only atoms exist, how do qualities arise when the atoms come together? [Plutarch] |
| Full Idea: If you accept atomism, you must show how bodies without quality have given rise to qualities of every kind by the mere fact of coming together. For example, how has the quality called 'hot' been imposed on the atoms? | |
| From: Plutarch (74: Reply to Colotes [c.85], §1111) | |
| A reaction: This argument is still significant in current philosophy of mind. If temperature is 'mean kinetic energy', you are left wondering where the energy came from, and why minds experience the heat. This is the 'Hard Question'. |
| 4473 | 'Presentism' is the view that only the present moment exists [Moreland] |
| Full Idea: 'Presentism' is the view that only the present moment exists. | |
| From: J.P. Moreland (Universals [2001], Ch.6) | |
| A reaction: And Greek scepticism doubted even the present, since there is no space between past and future. It is a delightfully vertigo-inducing idea. |
| 5955 | No one will ever find a city that lacks religious practices [Plutarch] |
| Full Idea: A city without holy places and gods, without any observance of prayers, oaths, oracles, sacrifices for blessings received or rites to avert evils, no traveller has ever seen or will ever see. | |
| From: Plutarch (74: Reply to Colotes [c.85], §1125) | |
| A reaction: The nearest you might get would be Soviet Moscow, but in 1973 I saw a man there jeering at a woman who was kneeling in the street outside a closed church. Plutarch would be stunned at the decline in religious practices in modern Europe. |