9 ideas
| 15970 | People generalise because it is easier to understand, and that is mistaken for deep philosophy [Feynman] |
| Full Idea: The topic of the laws of nature has a tendency to become too philosophical because it becomes too general, and a person talks in such generalities, that everybody can understand him. It is then considered to be some deep philosophy. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], 1) | |
| A reaction: Feynman was famously anti-philosophical, but this is a good challenge. I like philosophy because I want to know broad general truths about my world, but I may just be gravitating towards what is easier. The challenge is to get true generalities. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20957 | We don't choose our characters, yet we still claim credit for the actions our characters perform [Schelling] |
| Full Idea: Nobody has chosen their character; and yet this does not stop anybody attributing the action which follows from his character to themself as a free action. | |
| From: Friedrich Schelling (The Ages of the World [1810], I.93) | |
| A reaction: This pinpoints a very nice ambivalence about our attitudes to our own characters. We all have some pride and shame about who we are, without having chosed who we are. At least when we are young. But we make the bed we lie in. |
| 9410 | Physical Laws are rhythms and patterns in nature, revealed by analysis [Feynman] |
| Full Idea: There is a rhythm and a pattern between the phenomena of nature which is not apparent to the eye, but only to the eye of analysis; and it is these rhythms and patterns which we call Physical Laws. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], Ch.1) |
| 18530 | Nobody understands quantum mechanics [Feynman] |
| Full Idea: I think I can safely say the nobody understands quantum mechanics. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], 6) | |
| A reaction: It is really important that philosophers grasp this point! |
| 17707 | We should regard space as made up of many tiny pieces [Feynman, by Mares] |
| Full Idea: Feynman claims that we should regard space as made up of many tiny pieces, which have positive length, width and depth. | |
| From: report of Richard P. Feynman (The Character of Physical Law [1965], p.166) by Edwin D. Mares - A Priori 06.7 | |
| A reaction: The idea seems to be these are the minimum bits of space in which something can happen. |